Film Categories: Absurdity
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Quack Quack
Quack Quack is a moving image collage that utilizes magazine cut-outs from porn magazines and found footage. Multiple analogue techniques such as contact printing, optical printing, mordançage, mono-flex, chromo-flex, and hand processing help convey the over-stimulation of media; reverting an intangible concept into a tactile form. These images meshed together allude to the negative effects of media fetishization that feed into incel culture and violence against women.
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Fragmentasia
An exploration of the sense of self, through kaleidoscopic imagery, distorted sounds, and a flurry of colours. Fragmentasia is a self-reflexive short, shot on 16mm and Super8, using animation techniques, prisms, and mirrors, to examine the outward self versus the internal self.
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Lion in the Wind
Fugue for wushu in the West.
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Sweat
Sweat presents a lone male figure who enters a sauna and eventually is drowned by his own fear. Is he really under attack by the whispers in the room or are they just voices in his head?
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NE Corridor
Accumulated over three years, Joshua Gen Solondz’s film is a crowded collage of gurgling paint, jagged splices, errant sprocket holes, and puzzling images that conjure the densely material frames of the late queer avant-garde filmmaker Luther Price. A messy assemblage in purples and oranges, NE Corridor is at once a visceral explosion of color and a tortured object.-Leo Goldsmith
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Phatter pussykat-super cah
In a post apocalyptic setting two gangs set out to save a young girl from being kidnapped by a psychotic villain. In comic book fashion all end as a part of the game in the structure of society.
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The Comics
When Annie and Mark’s controversial comedy video goes viral, they make a run for the country. There, they hide out in a worn down, under the radar motel – hoping to stay out of the public eye while their video rapidly makes its rounds on social media.
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Goin ape 2
Three stories intertwine in a climatic double ending, Ape is stuck in the middle.
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Thorn on her side
A human narrates the story of a bad dream after buying a gorgeous plant at the market. What starts as an innocent encounter to relieve loneliness from isolation becomes a nightmarish seduction scene between a plant and its human. Together they give birth to a new creature.
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WE DON’T TALK LIKE WE USED TO
“Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.”-TIFF “We Don’t Talk Like We Used To” continues Joshua Gen Solondz’s loose series of addled diary films with a film that is part travelogue, part affective almanac, and part cinematic noise show. With stops in Hong Kong, New Hampshire, Japan, and Brooklyn, the film alloys obscured faces, oozing on-screen text, throbbing abstractions, solarized superimpositions, and the occasional dad joke into…
