Film Categories: Activism + Protest

  • On The Department Of Experiential Medicine II

    Initially an anti-gay marriage performance in a veil, speedo and heels reciting the Litanies of Satan, singing a Galasian Amazing Grace and then upending a bottle of champagne into my prelubed anus where the pressure pushed its contents inside. I then evacuate into two glasses and toast with someone from the audience. It then changed into a DIY AIDS-meds Cocktail performance with me dressed as a nurse, juicing beets and pushing vitamin supplements into my anus before taking the champagne. I then evacuate it into glasses with the beet juice and toast the audience with these cocktails.

  • premièrement comme tragédie

    With a friend we play a game, negotiating sex and risk but providing only evasive deflection and questions. My friend and I negotiate with each other, I to him in French and him to me in English. We fuck. The scene plays again, simultaneously but we play the role of the other person. Him to me in French and me to him in English. We switch roles. The negotiation scene and subsequent sex act are transcribed and we learn each other’s part and switch roles. The two tapes are then layered onto each other so both scenes play out simultaneously.…

  • These Conversations But With People We’re Hot For

    Documentation of/commentary on endurance performance in a self-made public glory hole outside Buddies in Bad Times theater.

  • Platform

    A hand-drawn meditation composed with charcoal on paper documented on 16mm film. “Platform” explores train metaphors: “wrong side of the track;” “end of the line;” “fast track;” “bound for Glory;” etc. The Platform in the New York City Subway provides the architecture for this imaginary contemplation of the word “platform.” Be it a set of principal goals which are supported by a political party or individual candidate; a programmable infrastructure upon which software can be built; an architecture from which to speak or act; a political stage; or simply a place to board the train.

  • Queer Camp Trilogy

    The Queer Camp Trilogy is a series of experimental films exploring the hidden dimensions of queer Japanese American wartime history. This trilogy, made up of Looking For Jiro (2011), Warning Shot (2016), and On the Line (2018), was inspired by first-generation Japanese Americans who were incarcerated by the US government during World War II. These subjects left subtle yet discernible traces of same-sex intimacy or gender nonconformity in the archive, despite the enormous pressure put upon Japanese Americans to accept their imprisonment quietly, prove their patriotic loyalty, and smile for Ansel Adams during their unlawful imprisonment. I approached their enigmatic…

  • Button OUT!

    Button OUT! is a lively animated personal homage to the filmmakers own history of protest and the wider story of LGBTQ2S+ experiences contained in the collection of over 1200 buttons housed at The ArQuives: Canada’s LGBTQ2+ Archives in Toronto. Originally part of commissioning program: “Now and Then” — a video-art exhibition developed by the RT Collective in collaboration with the Canadian Lesbian and Gay Archives (CLGA), Myseum of Toronto and the Gladstone Hotel. **Programmer’s Choice Best Short Film, Fairy Tales Queer Film Festival, 2020**

  • Sick

    “Sick” is the second video in the “Misadventures of Pussy Boy” trans trilogy, produced in 2003. Alick is verbally and physically queer bashed at school, Kay shares with our anti-hero the power of reclaiming hurtful words like “sick”. Our protagonists find safety, comfort and acceptance in each other’s arms.

  • Trans Cabaret

    “Trans Cabaret” is half hour long “edutainment” cabaret of sketches about “all things trans”, performed by members of the trans community for the purposes of bringing “translightenment to the masses”. The video also goes behind the scenes to show the performers coping with being homeless, dealing with transphobia in the shelter system, telling parents about being trans and dealing with abusive partners. During the cabaret the performers rehearse tongue-in-cheek sketches by “characters” in the cabaret. The video demonstrates through the cabaret an open attitude about the basics of gender reassignment surgery, gender identities and orientations, the myths and realities of…

  • Audrey’s Beard

    “Audrey’s Beard” was shot on my beloved Bolex camera. The film was conceived as a time-lapse documentary film experiment with shots of this once butch dyke filmmaker’s beard growing in over a 21-day period in the early 1990’s. At the time it felt like it was a very transgressive act as an artist, transitioning gender, to grow the beard I had felt ashamed of for so many years, using my body to tell a story, coming to terms with the shame of being born Intersex in a creative and empowering way. Ten years later, in 2001, a potent voice over…

  • May 35

    A haunting commemoration of the Tiananmen Square uprisings made from fragments of censored archival imagery transferred onto film using razor blades and scotch tape. “May 35” speaks to the difficulty of remembering in the absence of memory, especially when June 4 histories have been censored and obscured. It is a tribute to the thousands of lives devastated by this upheaval. Sound Design: Kadet Kuhne