Film Categories: America

  • Torrey Pines

    “Torrey Pines” is a stop-motion animated feature film by director Clyde Petersen. Based on a true story, the film is a queer punk coming-of-age tale, taking place in Southern California in the early 1990’s. Raised by a schizophrenic single mother, Petersen’s life story unfolds in a series of baffling and hallucinated events. With a mother fuelled by hallucinations of political conspiracy and family dysfunction, twelve-year-old Petersen is taken on a cross-country adventure that will forever alter the family as they know it.

  • The Friend from Tel Aviv

    Noam, a young Israeli transgender, is nervous and excited to meet his childhood friend Natan after many years. Louise, a free spirited mom, in whose house Noam has been staying for the last six months, decides to throw a party at her place when her kid leaves for the weekend. Noam invites Natan to the party but things get messy when Noam’s tender attempts to reconnect with his friend are jeopardized by Louise’ inappropriate behavior.

  • Arrested (Again)

    Activist Karen Topakian has been arrested dozens of times for using nonviolent civil disobedience to protest nuclear proliferation, human rights abuses, environmental issues, and war. Most recently, Karen was arrested along with six other Greenpeace activists after unfurling a 70-foot “RESIST” banner from a crane near the White House. What drives her to repeatedly put her body on the line?   In turn lighthearted and moving, Karen’s story speaks to the need for Americans, now more than ever, to exercise this important First Amendment right. Following her first arrest in 1982, Karen began working at Greenpeace as a nuclear disarmament…

  • Mount Misery

    Emotionally drained after learning of the death of her long estranged sister, an elderly woman spends the day lost somewhere between her past and present and her conscious and subconscious mind. In this state, she ponders the inevitabilities of life, death and the hereafter. “Mount Misery” won Best Film prize at the Black International Cinema, Berlin film festival, 2017.

  • 2076 (Elegy)

    In the year 2076, a cyborg finds moving images made by their great-grandmother in the last years of celluloid. Looking at the images, they are struck by the past, causing them to dig into their own memories, history, and identity.  Gleaned from images from the filmmaker’s life, 2076 looks at the ways in which familial history and queer identity are communicated through the archive/photographic image. Topically situated as the analog image is quickly disappearing, this film explores its virtues, illustrating the ways in which the past imbues small moments with power and glimpses of our past can speak and serve…

  • The Burning Desire in a Dollar Bill

    The Burning Desire in a Dollar Bill shows how the special interests of media conglomerates and their parent companies mould our latent desires at a young age, later leaving us confused as to whether we are lusting after the sexually charged imagery or the products being advertised. The film argues that the act of purchasing is the strongest aphrodisiac in a capitalist society, leaving open the possibility that a solution to toppling capitalism is to shift our sexual desires from consumerism to personal freedom from the state. The film was created during a residency at Signal Culture using a modified…

  • The Williamsburg Houses

    This film gazes into the architecture and lives of the occupants of one of the most ambitious public housing projects ever built in the US. Exploring the remains of a utopian design in contemporary context, we are immersed in the life of a building and a community.

  • Untitled (Horse)

    A symbiotic collaboration in movie motion. The logic and order intended by Muybridge are destroyed as a means to examine the sublime qualities of the cinema.

  • David In Brief

    The story of David and Goliath is one of the oldest narratives of all time. The legend continues to resonate with individuals and cultures from around the world and offers a perspective that everyone has the power to overcome impossible situations, even when the odds of failure are high. For years, I hid from my own Goliath: personal struggles with sexual identity and, questioning who I was as an individual. Like so many others, I had to risk relationships and acceptance to be the man I wanted to be. I wanted to hear how others, with larger-than-life obstacles, faced their…

  • Potamkin

    In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world’s most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness. At the Odessa steps, trampling gives breath to the child. The bullet miraculously reforms the face. The Cossacks march backwards, retreating unseen into their…