Film Categories: comedy

  • WE DON’T TALK LIKE WE USED TO

    “Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.”-TIFF “We Don’t Talk Like We Used To” continues Joshua Gen Solondz’s loose series of addled diary films with a film that is part travelogue, part affective almanac, and part cinematic noise show. With stops in Hong Kong, New Hampshire, Japan, and Brooklyn, the film alloys obscured faces, oozing on-screen text, throbbing abstractions, solarized superimpositions, and the occasional dad joke into…

  • Entre la langue et l’océan

    A psycho-sexual poetic politico historico and reflective film document about the Canadian identity and the failed revolution of 1837 – 1838. To understand the disease’s origins is not equivalent to finding an effective therapy, but it is undoubtedly a crucial prerequisite. Entre la Langue et L’Océan. Surréaliste, radical, esthètiquement riche et techniquement ambitieux, ceci est un film qui résiste toute classification. A man tries to invent a liberated state and ends up in a penal colony. After awhile he hesitates to remember the cause of his incarceration. He only remembers what he left behind not what he was hoping to…

  • I Believe in the Good of Life

    “I Believe in the Good of Life” celebrates the antics of Toronto drag queen Tawny Le Sabre (Alex McClelland) as the film catalogues the crimes made throughout one summer. Legendary drag artist Keith Cole plays the judge and also Le Sabres co-conspirator in this colourfully absurd film shot on 16mm. Also making cameos: Will Munro, GB Jones and Owen Pallett. A virtual time-capsule of the Toronto queer scene at the turn of the millennium.

  • Astrov at the Lemonade Stand

    In the aftermath of a medical malpractice trial, Dr. Astrov’s tragic day takes a bizarre turn when he encounters two 11-year old girlbosses running a lemonade stand.

  • My Canada Train Journey

    50-plus years after a memorable overnight Canadian train ride, Sandy McLennan boards regional and remote lines, with main line and public transit between them. This time shooting Double 8mm film, the same format he fell in love with while screening family home movies just for himself. What was he thinking?

  • Husbandry

    Mary Imrie (1918 – 1988) and Jean Wallbridge (1912 – 1979) operated their architecture firm—the first run by women in Canada—at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River in west Edmonton. When Mary Imrie passed away, she bequeathed the records of their remarkable architectural practice and adventurous life, along with their home, to the province of Alberta. With a title borrowed from a telegram in the collection, GLAD YOU CLOSER HOME / NEW WHITE WHISKER MARY is Cait McKinney and Hazel Meyer’s immersive exhibition that playfully imagines and speculates in…

  • Horseplay

    A half-horse, half-man pursues a young woman who turns herself into the same figure. Using a spare animation style, Straiton deals with a mythological subject that reveals his personal sense of humour. A beautiful film, set to original music, that is stunning in its simplicity.

  • I Am the Camera Dying

    A gender-warped tale of Marvette (played by Tracy Wright), a recently deceased heroin addict, who returns to this world as a gorgeous gay sailor who just wants to cruise the boys. A who’s who of local luminaries lend a hand in this funky, funny, experimental ode to mixing it up and making it work, no matter what the circumstances.

  • I Need a Man Like You

    “I Need a Man like You” is funny as it is provocative, and delivers a colourful and zany venue of Toronto’s finest Queen Street performers. Comedian Sheila Gostick is brilliant in her political satire and wildly hilarious as the dancing goddess. Performance artists the Clichettes bring a new awareness to rock culture through their original and unforgettable choreography to some of the great hits of the sixties. Helen Porter, as the killer Dyke in leather, shares a vision of the erotic that is tender, warm, and funny. The film is a timely and playful lampooning of some of the most…

  • I, a Dog

    An autobiographical film ballad about dodging dog dung in New York City while dreaming of Prince Edward Island. “A hit with audience and jury…an absurd, irreverent report on canine pets and their owners (or vice versa)… Hancox’s spiky sense of humour was well received.” – Martin Melina, Montreal Star