Film Categories: dance

  • CHRISTEENE “Bustin’ Brown”

    In “Bustin’ Brown,” the fourth installment of the CHRISTEENE Video Collection, CHRISTEENE confronts the ever-present bastardization of anal sex from mainstream bourgeois heterosexuals by returning “da buh-hole” to its rightful owners.

  • CHRISTEENE “African Mayonnaise”

    In “African Mayonnaise,” the 6th installment of the CHRISTEENE Video Collection, Celebrity gets Fucked.

  • My Best Dress

    The title “My Best Dress” is interpreted in two divergent yet related directions: the attire one would wear out to a club, or alternatively, to a funeral. In this context, the music video represents both a celebration of youth culture, particularly with finding acceptance, expression and love within queer youth ball culture, and conversely, the inherent dangers associated with the reckless, uninformed and unprepared dark-side of underground culture. Music by MURR, featuring Rosina.

  • Fresh Fruit

    Fresh Fruit explores the inner yearnings of a bored hostess, as she tastes a cornucopia of sweet and juicy offerings.

  • Selected Works by the Loop Collective: Volume 1

    A selection of films produced between 2005-2011 by members of The Loop Collective, a Toronto-based group of independent filmmakers, musicians, dancers and multimedia artists who strive to connect cinema to related interdisciplinary art forms. 1. fugitive l(i)ght 2. c: won eyed jail 3.Thaw 4. Parícutin 5.Quanta 6. Shapes Eat Shapes 7. Levitas 8. Spiders in Eden 9. The Changing Light 10. Christ Church – Saint James 11. Thought Form 12. Morning 13. Many Glimpses 14. Movement / Stasis (documentation)

  • Joaquin La Habana – LebenZwischenWelten (Joaquin La Habana – Living Between Worlds)

    Joaquín La Habana – Lebenzwischenwelten is a documentary portrait of the transformation artist Joaquín La Habana, an androgynous Cuban-born singer, dancer and entertainer, who currently resides in Berlin, Germany. As he plays effortlessly with changing gender and culture, his opera-trained voice switches easily from the baritone of a rebel to the soprano of a seductress. Now in his sixties, Joaquín La Habana reflects on his life and career during the ’70s and ’80s as part of New York City’s provocative underground scene. The film contains impressive archival material, including Joaquín La Habana’s performance at the famous nightclub, Studio 54.

  • Championship

    At a wrestling tournament, a young competitor faces match upon match. Referees converge on the scene. The crowd’s attention wanes and focuses with the intensity of the bout. Sounds drift in: a psychic piano enters over fast and short breaths. This is a contest of past and future. It will be decided in the ring.

  • Schuh Schnell Service

    A simple intersection in Wuppertal, Germany becomes a microcosm of the patterns of everyday life. Cars trace the angles of the streets, pedestrians forge new paths and Wuppertal’s famed Schwebebahn turns our expectations upside-down. Shot on Super 8 in Wuppertal April 28, 2009, while making Phantoms.

  • Jacumba Song

    Lucienne Delyle, Tsygan the dog, Helena Petrovna Blavatsky and a mantis meet in the desert to take the waters and sing of love. An anarchistic exploration of mythologies and performative languages of romantic love and illusion combining legend, cartoon and dream. Shot in the Anza Borrego desert on Kodachrome and Ektachrome Super 8.

  • 28 Days

    This video pays stylistic homage to girl punks and 1960’s rock and roll girl groups. Camera moves and mise-en-scene are inspired by the 1963 music film for “He’s Got the Power” by the Exciters. The video responds to the song’s theme of menstruation by presenting a series of celebratory images of female solidarity.