Film Categories: Ecology
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Ocean I
Ocean I is part of a series of films loosely connected by a similar process of cinematography that sees the operation of the camera as a kind of intuitive performance; specifically the way lenses, filters, and camera are maneuvred in a single long take to create an impression of a space, while also frequently abstracting it.
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Catalyst
Being natural born pattern seekers, we are forever looking for this or that clue to help explain what otherwise might appear unfathomable. Fundamentally Catalyst represents a type of diary without dates, of memories reconstructed to formulate my story. A story that takes place in time and space, shaped by the earth and sky Merging super 8 mm footage that I filmed many years ago with some of my more recent DSLR/HDV tape footage, Catalyst investigates how each medium shaped my story as well as the gaps in time when each sequence was filmed. Filmed on location by Kent Tate: Toronto,…
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Soy un ser cuyas raíces // I am a being whose roots
Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish & German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration,…
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The Exile (Pituvahalaya)
Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era. The visions of an exile are carried through an immoral silence, to an end both dubious and bittersweet. World premiere at 64th Internationale Kurzfilmtage Oberhausen, 2018
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Green Shake
Tibi Neuspiel talks about his signature GREEN SHAKE and his experience with Personality Sharing.
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Inventory
Often the very things that appear to enable a sense of security, stability, and status can be disrupted, or rendered obsolete, destined to become a memory, or simply just forgotten. On the other hand, things that frame our passions while informing our dreams have the very real potential of retaining their meaning, regardless of any actual or imagined externalities. Before leaving home last July to begin an artist residency I went to pick up a couple of things at a nearby big box store only to discover that it had been closed. A crew was removing all the signs on…
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Velocity
I generally gravitate towards places that reveal the many layers of time when deciding on a particular location to set up my camera and tripod. This is when I like to imagine worlds that have passed, worlds that are present, and worlds that are yet to be. In 2009 Johan Rockström led the team which developed the “Planetary Boundaries Framework,” a set of 9 boundaries that they define as a “safe operating space for humanity.” These scientists assert that once certain thresholds or tipping points are passed there is a risk of “irreversible and abrupt environmental change.” In 1976 a…
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Utopia
The purpose of this or that, or its role in enabling a sense of security or status is ephemeral, depending on factors that may or may not be readily apparent. As systems shift from one emphasis to an other, or as one system supplants an other, the meaning of something can be altered to such a degree that a new description may be required to understand its context. Various intersections in downtown Vancouver including the Trump Tower looming over the other buildings – Fishing Boat approaches Ucluelet after some time out at sea – Afternoon clouds, Crowsnest Mountain – Lonely…
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Casted Hand
“Casted Hand” explores the aesthetics of medicine and its relationship to the body. It can be shown as s single channel video or accompanied with the installation ‘Four Winds.’
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horses in the year of the dog
Twin portraits, an immediate love between new friends considering motherhood under the roof of a fierce matriarch and Cheru the dog shortly after birthing five pups. A swim, a birth, a love and a loss developed in Hibiscus and Lavender and saturated in deep blues.
