Film Categories: Ecology

  • Radius

    From my perspective any place can be seen as sacred. I believe you can become so familiar with a place that you can feel the sacred in every aspect of its land, air and water. The more familiar I become with a place the more I tend to fall in love with it and in turn many of its truths are revealed. On March 31, 2022 my life partner Cheryl passed away in hospice. In April I decided to make a pilgrimage to places near our house where we enjoyed taking walks after moving to the village in October of…

  • Freya

    Tethering falconry and motherhood, Freya weaves together themes of death and magic, where seasons re-arrange, just as myth and memory are re-cast through a childhood spell.

  • Memory Rituals [Part One]: Memory of Trees

    Memory Rituals [Part One]: Memory of Trees three-screen video, 5.44 minutes, made with support from Media City Film Festival’s Chrysalis Fellowship 2023. Thinking about remembering, about forgetting, and about the memory of trees. [more info: https://cbattle.com/memory-rituals-part-one-memory-of-trees/]

  • Determinations

    1988 & 2023 4K revision (Revision sponsored by Telefilm Canada Reignite program (for historical valuable Canadian films and to archive such films) which allowed me to transfer my 1988 16mm film to 4k video. A post-punk gonzo doco from the 1980’s restored for the digital realm. The Squamish Five story — a significant historical Canadian recollection, a refreshment of memory in a time of ever increasing environmental suicidal somnambulism & social, political dementia. The Reagan era (1981 – 1989) in the USA marked a time of heightened tensions between the United States and the Soviet Union, with the deployment of…

  • mirrored

    This is a Buddhist Slow Movie. A marsh in a high mountain valley in British Columbia.The impermanence of existence. Disease, aging, death. The location is home to a Thai Theravada Forest Monastery.Sound: Chanting in Pali and in Sinhala.

  • From Neurons to Nirvana: The Great Medicines

    Featuring interviews with the world’s foremost researchers, writers, and pioneers in psychedelic psychotherapy — these soul healers and scientific investigators are using everything from ancient decoctions to LSD and MDMA/Ecstasy as essential medicines, proposing that they be made available for research and therapeutic use.

  • Robot Pavlov Sputnik

    This is a confluence of intent and a revisiting of an iconic animation by Norman McLaren – “Synchromy” 1971. McLaren’s “Synchomy” is an early form of machine art, a formal modernist gesture revealing & reveling in the immediate transparency of code and signal, a chimerical fantasy of speculative references–prophetic futurism reading itself, speaking itself. What I have done: reinterpreted and composited informed by the morphic quality of code, its slippage and variability, creating a highly saturated abstracted wave ocean horizon/sunrise pulsed imagistcally by the musical track.

  • Thorn on her side

    A human narrates the story of a bad dream after buying a gorgeous plant at the market. What starts as an innocent encounter to relieve loneliness from isolation becomes a nightmarish seduction scene between a plant and its human. Together they give birth to a new creature.

  • Currents / Perpendicolare Avanti

    Currents / Perpendicolare Avanti is a camera-less, hand-made, 16mm film collage, based on the artist’s autobiographical experience as an immigrant. In three movements, the film explores the dynamics of inhabiting the in-between space of moving between multiple countries and their temporalities, through visual and sound abstraction, interlacing and recycling pre-existing film materials and, using fragments from anonymous orphan films. Utilizing these so-called scraps, Currents is a film of extensive remediation, treated by hand through the use of the emulsion lifting technique, thereby re-imagining, re-constructing, and de-constructing the liminality of immigrant life. The re-writing of the self in Currents is produced…

  • Skyscraper Film

    Can I use the film strip structure as an architectural element? Is it possible to use the celluloid from the film as a cement? Can these skyscrapers be turned into something else? Can solid lines blend into sensual, natural curves? Can I melt skyscrapers? Skyscraper Film was created to try to give a visual answer to these questions, arising from the artist’s relation to urban maps of various locations and their respective skylines, populated by imposing skyscrapers and reinforced concrete panoramas: Quebec, Kingston (Canada), Maryland, Pittsburgh, Baltimore (USA) etc. Cities are presented to us as an abstract handmade camera-less collage,…