Film Categories: environment

  • Inventory

    Often the very things that appear to enable a sense of security, stability, and status can be disrupted, or rendered obsolete, destined to become a memory, or simply just forgotten. On the other hand, things that frame our passions while informing our dreams have the very real potential of retaining their meaning, regardless of any actual or imagined externalities. Before leaving home last July to begin an artist residency I went to pick up a couple of things at a nearby big box store only to discover that it had been closed. A crew was removing all the signs on…

  • Velocity

    I generally gravitate towards places that reveal the many layers of time when deciding on a particular location to set up my camera and tripod. This is when I like to imagine worlds that have passed, worlds that are present, and worlds that are yet to be. In 2009 Johan Rockström led the team which developed the “Planetary Boundaries Framework,” a set of 9 boundaries that they define as a “safe operating space for humanity.” These scientists assert that once certain thresholds or tipping points are passed there is a risk of “irreversible and abrupt environmental change.” In 1976 a…

  • Utopia

    The purpose of this or that, or its role in enabling a sense of security or status is ephemeral, depending on factors that may or may not be readily apparent. As systems shift from one emphasis to an other, or as one system supplants an other, the meaning of something can be altered to such a degree that a new description may be required to understand its context. Various intersections in downtown Vancouver including the Trump Tower looming over the other buildings – Fishing Boat approaches Ucluelet after some time out at sea – Afternoon clouds, Crowsnest Mountain – Lonely…

  • Insect Express

    This is a music video for the song “Insect Express” by Brooklyn-based musician, El Tryptophan. The video explores an intersection of species; insect flight patterns and modes of industrial travel merge as collective rituals in a fever dream.

  • Silvia in the Waves / Silvia dans les vagues

    Noa struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family. Grief and fantasy entwine to reveal the complex relationship between history and erasure, identity and memory.

  • SENSORS

    In the summers of 2017 and 2018 record breaking forest fires dominated British Columbia with the number of forest fires in 2018 exceeding the 2017 record. One key difference between the two years was the timing of the widespread outbreaks. In 2017 the BC interior was inundated by haze and smoke as of early June while in 2018 the haze and smoke didn’t engulf the landscape until late July. Up until then the temperatures were relatively mild with enough moisture to create light conditions that were some of the most interesting I’ve seen in years. As satisfying as the early…

  • Senescent Vivarium

    Bordering on the fantastic, “Senescent Vivarium” represents four distinct seasons created by plants and insects selected to imitate authentic biospheres. These macro worlds are architectural masters of their own domain yet defy traditional still life representations. Transient narratives of familiar ecological cycles are pushed further into supernatural territory by the effects of hand processed 16mm black-and-white film, and a deeply atmospheric sound score.

  • On the Line

    “On the Line” is inspired by Isa Shimoda, a butch gender nonconforming immigrant who served meals to Japanese American tuna cannery workers in her restaurant on the docks of San Diego in the 1930s. She was known for her masculine attire as well as her skills at naginata, a sword-based martial art practiced by Japanese women. Her restaurant was a refuge for the women who endured gruesome hours cleaning fish and lived in meager housing shelters known as “fish camp.” Shimoda has two sets of wartime records from the incarceration camps—one identifying her as female, the other as male. “On the Line” uses…

  • Wayward Emulsions

    Fleeting cinematic impressions of a wayward woman are captured in the oblique wanderings of emulsion lifted from stray reels of 35mm film. Winner, Experimental Short Grand Jury Prize, Slamdance Festival 2019

  • Lift Little Tokyo

    Maps and memories of Little Tokyo’s historical district of Los Angeles are uplifted via scotch tape transfers.