Film Categories: environment
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Manifestarsi
The film investigates within the microscopic dimension the material component of billboards posted in Milan. The author, through a peculiar perspective – achieved with a unique optic – goes beyond the limits of vision, inviting us to fall into the alienating but enveloping physical structure beyond the mythical surface of the images. The cinematic result is an atmosphere that is not abstract but informal. Where the material reflects a visual condition devoid of perspective references on which to base metaphysical foundations: here the process suspends the essence.
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Transit – Destination
Cities are where people tend to nest. This is where we can engage in the greatest range of pursuits while being provided a reasonable likelihood of day to day sustenance. While not apparent for the most part, cities require far flung resources making them islands or something akin to a space station. Cities are also de facto barriers for many other animal species, especially those that require migration routes to survive. Note: The voices are Kent Tate and a friendly passerby engaging in a conversation about birds while he was filming some office towers.
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Focal point
We live in a holographic world. It is a busy, busy place with much to do, with not enough time to do it. We also live in a world where a host of entities are vying for our attention. With so much competition to retain our gaze a clutter threshold is a very real hazard. I have always been sensitive to movement. There is either too much movement or too little movement, so I try to seek a balance, or at least make efforts to set aside moments where I can calm my overstimulated nervous system. I am partial to…
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Evidence of Wind
The filmmaker impulsively starts capturing the image and sound of wind. He realizes the only way to capture the wind is to show, instead, trees in motion. The limitation becomes the motif for philosophical contemplation of how we understand the nature of truth that can be learned from something else than the truth itself. The assemblage of the meditative narration, electronic music and the images of swaying trees, leads the journey through a paradoxical, yet thought-provoking experience. The enduring time reveals the moments of reflecting on our belief in the world in a time of uncertainty.
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‘The Heat ( Series #1)
A journey on Vancouver Island’s Victoria City to collect the facts regarding forest fires, a changing climate and what the real experts have to say about the conditions on Vancouver Island and the areas in and around Victoria City. My team and I traveled around Victoria Canada to talk to and examine the state of the forests of this Island. We will interview people in Forestry, Fire management, the common folk on the street, the Fire departments in each city, and experts that reside on this island. Series #2- 2021 Australia The next step is to interview experts and individuals…
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What You Are Out Here For
* No Normal Festival 2023 * Official Selection International Portrait Festival 2022 * Gallery Stratford Installation 2022/23 * Official Selection Recontres Internationales Traverse Festival 2022 * Official Selection Athens Animfest 2022 * Official Selection Forest City Film Festival 2021 * Carbon Art & Design Installation 2021 * Bark Park/Washing Machine Outdoor Installation NYC 2021 * Official Selection Van Der Plas Animation Festival & Installation 2021 Springboarding off original illustrations by the internationally renowned artist Jason McLean, What You Are Out Here For experiments with experimental film-making itself, putting McLean’s art for the first time into motion. The open-ended and coming-of-age…
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Water Over Glass
* Official Selection Antimatter Film Fetsival 2020 * Official Selection Vancouver International Film Festival 2019 (nominated Best of BC Film Award) In Water Over Glass, the tension of a mind adrift and in conflict with itself is captured and bookended visually by the vast mutability of sea and sky, where water and air surfaces suggest both static and the dissolution of the individual. A doppelganger, a crime scene and the tidal erasure of what might have taken place: discomfiting moments in a bright, almost psychedelic, arc. Assembled from 16mm, super 8, and digital video, stop-motion collage and digital compositing animation,…
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Salt River Water Walk
In February 2020, Sharon Day (Ojibwe) led a group of Water Walkers through the Arizona desert to walk for the Salt River. Through animation and live footage, this documentary travels with the Salt River Water Walkers, describing this Indigenous-led ceremony as it creates community and builds relationships with the earth through the shared goal to care for the water. The project was organized by the Museum of Walking. The film was made possible through the Museum of Walking, the Institute for Desert Humanities at Arizona State University, and Indigenous People’s Task Force.
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Exercises for Being Close to You: A Story for the Arctic Refuge
Exercises for Being Close to You is an experimental documentary that follows a group of hikers through Alaska’s Arctic National Wildlife Refuge. The team is in search of the Porcupine Caribou herd in hopes of collecting stories that could help push back on oil exploration and drilling on the caribou’s birthing grounds. The narrator, admitting to a perverse desire to be close to everything, wants nothing more than to spoon a caribou. As the film culminates in anticipation of the “money shot”, the audience is pushed to evaluate its expectations of nature films. Meanwhile, the expedition team is left to…
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Electric Water
This experimental documentary is a meditation on the poetics and politics of water, moving between the filmmaker’s personal heritage from the Adriatic Sea and the Haudenosaunee perspective on Niagara Falls. While our connection to water is disrupted by pollution, dams, and the tourist’s gaze, there are stories and sights that lead back to water’s power and teachings. Image description: Several figures stand silhouetted against a large rushing water fall (Niagara Falls).
