Film Categories: environment
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Kolam (Pool)
“‘Pool’ is a touching portrait of a community attempting to rebuild and heal itself following the devastating 2004 Indian Ocean tsunami that shocked the world. The titular swimming pool is a temporary makeshift basin created to help the children of Aceh, Indonesia, face their fear of water and learn to swim again, despite the losses their community suffered when the sea came crashing in. Chong Chan Fui observes their progress with affection and a poet’s eye.” – Andrea Picard, Toronto International Film Festival In Indonesian, Acehnese and English with English subtitles. Awards: Winner of the Award for Best Canadian Short,…
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Regard
This short experimental film mirrors 21st century issues of social deconstruction in everday urban life. Produced in Toronto, during that summer of the London UK transit bombings, it echoes calls for solutions to a threatened, “Homeland” and the notion of security itself. “Regard” plays with impressions of cognizance, consciousness, witnessing, and surveillance in the metroplis, where the passage of human beings through industrialized urban space/time is obversed. Connotations of danger lurk in trains, buses, streetcars, subway/communter trains, and automobile traffic, while bicycles and pedestrains weave sinous paths through the city. A well-intentioned fabric of vulnerability emerges, its irony punctuated by…
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Moose Jaw: There’s a Future in Our Past (DVD Release)
Available for purchase in the CFMDC Shop: https://www.cfmdc.org/shop. “Appropriate to a context of Canadian de-confederation, MOOSE JAW is at once a statement of the filmmaker’s own maturation; a regionalist dirge on the fatality of economic dependency; an excavation of our ever-vanishing collective past; and the ironic deconstruction of all the above.” – Michael Dorland, Art Gallery of Ontario Moose Jaw was a frontier boom-town flourishing on the Canadian Pacific rail line forging Canada as a “Dominion” in the late 1800s. But as rail gave way to the jet age, Moose Jaw began to decline. Now, museums dot the landscape (along…
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Full Stop Hilltop
A man’s elliptical story of the places he’s seen, the people he’s been and the water he’s drank.
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10th Avatar
Television’s influence is so great that it has left us completely mesmerized and has become our new form of worship. Our faith in the divine power has been challenged several times, through the ages. According to Hindu mythology an avatar appeared who relieved man’s distress and re-established the belief in God and the avatar. Nine incarnations of God or avatars have appeared thus far and the 10th avatar appeared with the fusion of mass media and formal worship. This is the story about the challenge divine worship faced as cable TV encroached our “idle” time.
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Foodie
Born into a murky world, jettisoned into flourescence, Foodie is all emotion, all merchandise, all pressure and all pleasure. Foodie waddles through emotional worlds that are hungry and stuffed, cozy-mean, cocooned and exposed. Foodie is the perfect consumer who is simultaneously socially conscious and suspect. Watch Foodie, struggling to stay within boundaries of good and proper, worrying all the time, trying to live forever with too much and not enough.
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In Every Dream Home a Heartache
Kids on TV and Johannes Zits have together created a music video art piece based on Johannes’ visual work and the song “In Every Dream Home a Heartache” performed by Kids on TV. The video takes the song’s plotline of a rich man falling in love with a rubber doll and uses it to critique queer consumerism and the advertising industry’s targeting of the gay-demographic — turning peoples desires into a fetishization of newly built condos and lavish funishings. The rubber doll is portrayed by KOTV member John Caffery is covered with green-screen paint and super-imposed with gay male pornography…
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Deadication
“Images of dead fish are used to illustrate the needless destruction and waste inherent in our technological society.” – Martin Rumsby, Hidden Cinema Tour, 1989 “A product of the Saskatchewan Film Pool, ‘Deadication’ approaches the natural world (fish, specifically) with a fully developed aesthetic sense.” – Images Festival of Independent Film & Video, 1988
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Shift
A low-tech sci-fi story set in a disenfranchised, near-future post-Crash urban sprawl, a violent place with no one in authority. We meet the Switchcocks, an all-girl revenge gang who make their living by taking on vengeance contracts for other Glop residents, and running drugs. One night, Lexi, gang member by night, courier by day, hooks the gang up with the dangerously potent drug called ‘shift.’ They sample it and then they run amok, taking ‘vengeance’ on an Enclave drone – without a contract: for fun. Lexi awakens the following day and must deal with the aftermath and her own role…
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Parícutin
In February of 1943, a fissure appeared in the cornfield of Dionisio Pulido, a farmer in the Mexican state of Michoacán. Ash and incandescent rocks emerging from this fissure preceded lava flows, violent explosions, and the birth of Mexico’s youngest volcano. Despite the prayers of the locals, the lava flows displaced the populations of two nearby villages and part of that of another. The final explosion of the Parícutin volcano was in January of 1952, nine years after its birth. By March of that year, it merely fumed, standing 424.6 metres tall-the first volcano ever to have been observed through…
