Film Categories: Essay

  • Sira

    ‘Sira’, in Arabic, literally translated, means biography. Arabs are a people known for their oral tradition. Through excavated footage and narration, Sira examines the displacement of a family, beginning with the event that catapulted their exodus from Kuwait as a result of the Iraqi invasion.

  • The Forms of Utility

    A short film essay analyzing a landscape shaped by religion, capital, and war. The film blurs the line between memory and history, only to reveal their cyclicity. The focus of this work is the mistreatment of the modernist architecture of Zilina, a small town in Slovakia, built by a growing Jewish minority in the 1920s and 30s and by new settlers from rural areas in the 50s and 70s. Their tastes and ideologies have been visibly projected onto the town.

  • Ode to the Nine

    “Ode to the Nine” is influenced by video artist Jon Rafman. His work “9-Eyes” and “You, the World and I” inspired the filmmaker to make this video piece. This short experimental video allows the filmmaker to ponder the relevance of the moving image and what impacts it has on the Native experience of the past, present and future.

  • Video Home System

    ‘Video Home System’ traces the convergence of popular culture and politics in Pakistan during the 1980s and 1990s. This video showcases the connections between pop culture and nationalism, and how bootleg economies kept the cinema industry alive during periods of censorship. Image description: A young man sits at a desk behind a pile of VHS tapes, illuminated by a desk lamp. The wall behind him is vivid green.

  • BLU In YOU

    Walter Benjamin suggests that film is comparable to surgery, the instrument allowing the operator to penetrate the body of the subject while, paradoxically, maintaining his or her distance. This statement self-reflexively sets up the female spectator at the helm of the art-installation opening of Blu in You—an eloquent essayist film with visual conversations that dissects historical and contemporary representations of the black female body, sexuality and subjectivity. The female spectator (Melanie Smith), views the staged art installation conversations between visual arts curator (Andrea Fatona) and writer (Nalo Hopkinson). The conversations begin with a cultural history of violence, ethnographic display and…

  • Flâneurs – Street Rambles

    Between film projects and following the birth of his daughter, a Canadian in Paris (Matthew Lancit) must confront his slacker lifestyle and decide if there is something in it worth passing on to the next generation, or if he is better off getting a job. In search of the remaining traces of flâneurs (19th Century wanderers of Paris), he takes his daughter on a series of poetic strolls in which he assumes the role of a contemporary flâneur and crosses the path of people who help reveal the relevance of such a figure today. In the movement back and forth…

  • At Midnight Plays a Dance Tune

    During his mother’s illness and after her death, Roy went through an intense period in his life, in which he felt attracted to the fringes of society. He raced in his car, roamed the streets at night and indulged in sex and drugs. He always had music playing in his appartment, no matter what time it was. During this period of extremities, the memory of his former neighbour Antoine suddenly came back. As a child Roy had been fascinated by the man and looking back now it seemed like Roy’s current life mirrored that of his former neighbour. Even though…

  • On the Line

    “On the Line” is inspired by Isa Shimoda, a butch gender nonconforming immigrant who served meals to Japanese American tuna cannery workers in her restaurant on the docks of San Diego in the 1930s. She was known for her masculine attire as well as her skills at naginata, a sword-based martial art practiced by Japanese women. Her restaurant was a refuge for the women who endured gruesome hours cleaning fish and lived in meager housing shelters known as “fish camp.” Shimoda has two sets of wartime records from the incarceration camps—one identifying her as female, the other as male. “On the Line” uses…

  • Wayward Emulsions

    Fleeting cinematic impressions of a wayward woman are captured in the oblique wanderings of emulsion lifted from stray reels of 35mm film. Winner, Experimental Short Grand Jury Prize, Slamdance Festival 2019

  • Sworded Love

    Fleeting cinematic impressions of star-crossed swordsmen are captured in the oblique wanderings of emulsion lifted from a stray reel of a 35mm kung fu action film.