Film Categories: Ethnography

  • 04/19/1968

    Layers of history merge with layers of media in this hybrid experimental film. An autobiographical ode to the filmmaker’s family and what’s left of their memories. A remediation collage of 16mm film, old 35mm Kodak slides and a digital computer screen. Filmed with an old DSLR camera at a specific angle in order to capture the ethereal reflections.

  • K-SARAM I: Tale of the pig head

    Centered around the Koryo-saram community in Rostov-on-Don, Russia, the film displays a shamanistic memorial ancestral ritual „Jesa”, encompassing the collective memory of Korean diaspora, the wish of the Koryo-saram for a unification of South and North Korea, and showing the real appearance of the ghosts of migrants whose transformation to spirits was not succeeded. “Saram” means human in Korean. The title refers to the today very popular K-export- products like K-Drama, K-Pop, K-Beauty, etc. and to the name that the Soviet-Korean diaspora uses instead of the South-Korean term “Koryo-In”. Approximately 500,000 ethnic Koreans reside in the former Soviet Union. Most…

  • Pur Laine

    PUR LAINE is a story about Ruby, a filipina, married to Roy, a Quebecois man, who dies and leaves her penniless. Ruby struggles with Roy’s drug addict daughter, Marie Claire, over who gets to sell Roy’s house, which also happens to be Marie Claire’s childhood home. A dramedy of errors, their collision reveals what they really want on the inside.

  • 1000 Brazils of Truth

    Filmmakers Sheena Rossiter and Sandro Silva perform a spoken word song that’s dedicated to São Paulo, a megacity full of paradoxes. Through archive footage they filmed between 2011 and 2017, Sheena and Sandro show the highs and lows of a country that goes from being an emerging market, economic powerhouse, to one on the brink of collapse. By the time the filmmakers decide to leave Brazil in 2017, it is a country in the midst of a seemingly never-ending political corruption scandal and the worst economic recession in over eight decades. But, despite the shortcomings, Sheena and Sandro still miss…

  • Ofenheizung: Portrait of a Stove

    In Berlin in the year 2020, there are still homes that rely on coal stoves for heating, despite their ban in 2015 by the Federal Emission Control Ordinance. This short film is a portrait of one of those stoves, the maintenance it requires of the inhabitant of the home it’s in, and what it means for its Kiez, Kreuzberg.

  • The world is blue at its edges

    “What could I tell you about the world I live in?” Addressing her unborn child, the narrator tries to find answers partly through claustrophobic pictures interwoven with intimate notes on a pregnancy in times of a pandemic. Based on a childhood memory, this experimental short film spans from the Cold War Iron Curtain, to the so-called “refugee crisis,” and the renewed closing of borders during COVID-19. Textures of walls closing in blur with pixelated maps, creating a subjective portrait of a new reality and its digital image-world. // “Iris Blauensteiner’s and Christine Moderbacher’s ‘The world is blue at its edges’…

  • Don’t Forget The Water

    A phone conversation sets the diasporic table as a disembodied figure prepares Qahwah Arabi / Arabic Coffee. Here, the contradictions inherent in Google Translate’s instant camera feature are made visible through glitched mistranslations. Using these flaws as a prompt, the communication between a mother and a daughter considers ambiguity as a source of embodied knowledge. 

  • Shoes Off

    Shoes Off is a story about a Brazilian immigrant who becomes the subject matter of an artist’s canvas in Brooklyn. The film explores the themes of the queer diaspora beyond the family trauma trope in immigrant stories through the lenses of danger and desire. Shoes Off blends together its influence from the aesthetics and tropes of DIY porn, thrillers, and realistic dramas. Shoes Off is the portrayal of the challenges, pleasures, and adventures of what a queer immigrant experience could be, based on true stories. Shoes Off depicts how vulnerable and unique the queer experience can be in a search…

  • Matin Dans Une Foret de Pins (Morning in the Pine Forest)

    The lives of six young people unfold in a journey through different worlds revealed and interwoven, where the boundaries between documentary and fiction, reality and dream cease to exist. The volatile and seductive landscape of urban and rural Latvia was treated as a rich context for the complex relationships one has with the world – inviting the viewer to come upon the questions that bind us in our common need to understand our humanness. This film is based on the lives of HELENA, EVA, JANKA, GUNTIS, ANNA and GALC.

  • Feet in Water, Head on Fire

    Along the San Andreas fault line in Southern California, Indigenous palm trees and date palms imported from West Asia flourish. The people who tend to them reflect a landscape of frictions and affections shaped over generations by agriculture, luxury real estate, and border politics. Like the infinity storytelling of The 1001 Nights, stories fold into dreams and back into stories, a constellation of voices settle over mountains and into the earth. Intertwining color 16mm with textural black and white film hand processed with the dates leftover from harvest and plants native to the valley Feet in Water, Head on Fire…