Film Categories: Feminism

  • Frissons

    Hurry hurry step this way and see with your own eyes the pillaging of the public domain Prelinger archives! See the sampling and remixing of archival footage from the heyday of Coney Island and the horror genre, creating a cinematic fun house mirror of carnival themes around the dreadful and uncanny presence of marvelous freaks that you can see for the price of a small thin dime! If you hurry, hurry, hurry!

  • Main Attraction

    Mario the Magician and his community of ‘freak’ friends discover they are threatened by eviction from the abandoned building they are squatting by a real estate speculator and condo developer.

  • Uncanny

    A young girl reads a horror comic about a businessman who abducts homeless women with uncanny results.

  • aw • rah • nyoosh

    A documentary filmmaker attempts to imagine, along with his father, his grandmother’s experience at a labor camp during the holocaust. As they get drawn into a world of the grandmother’s romance, they begin to lose control of their imaginations. “The son installs the camera, the father stands on the sofa. They are preparing to begin an intergenerational dialogue based on the newspaper that their mother and grandmother, Sari, held in the 40s, during his deportation. aw • rah • nyoosh [aranyos] , from Ben Neufeld, takes time to set up; the viewer takes time to understand the contract that the…

  • Looking for Jiro

    “Looking for Jiro” explores the hidden dimensions of same sex intimacy for Japanese Americans incarcerated by the US government during World War II. This experimental performance video is inspired by Jiro Onuma, a gay Issei (immigrant) who was imprisoned at Topaz concentration camp in central Utah. He worked in the prison mess hall and was also an avid fan of homoerotic male physique magazines. How did this dandy gay bachelor from San Francisco survive the isolation, humiliation, and homophobia of imprisonment? This queer musical mash-up video features drag king performance, US propaganda footage, muscle building, and homoerotic bread making. This…

  • Sex, Politics & Sticky Rice

    Protests, potlucks, and three-ways are just the “tip of the rice bowl” for five Asian American lesbians recounting their adventures in sex, love, and queer activism. They were among the first generation of out Asian Pacific Islander queer activists in the San Francisco Bay Area. While Crystal Jang falls hard for her PE teacher, Gisele Pohan’s immigrant father dares her to join the 1979 Gay & Lesbian March on Washington. Helen Zia and Lia Shigemura keep a “chart” of the various hook ups and break ups. Zee Wong discovers the joys of lesbian sex in her first girl-on-girl menage a…

  • Warning Shot

    One death. Three versions of the crime. James H. Wakasa, a 63-year-old Japanese American bachelor, was shot to death by military police at Topaz concentration camp during World War II. Was it justifiable homicide, an accidental fatality, or second-degree murder? The press said he was trying to escape, the shooter claimed it was a warning shot, the case file suggests he was killed while walking a dog. This experimental film essay uses the “Rashomon effect” to juxtapose the conflicting accounts detailing the circumstances and cause of Wakasa’s untimely death. Part of the Queer Camp Trilogy.

  • Primary Colours

    A cine-poem by Sudanese-Canadian artist Roua Aljied, aka Philosi-fire, about the realities of domestic violence and how each step a woman takes is a new colour to paint on the canvass of her life. Created in partnership with Women in International Security Canada and the 16 Days of Activism Campaign in Ottawa, Ontario, Canada and performed live for the 2016 International Women’s Day ceremonies in Ottawa, Ontario, Canada.

  • Parker

    A couple gets into a tiff on the way home from a social event, that is only resolved when they realize they were both behaving out of mis-placed jealousy.

  • It’s Not Me, It’s An Image Of Me

    To make an object based on a photograph means adding dimensions such as space, time and continuity. Roasting skewers, hairpins and nails were the tools of self-liberation in the photo series Zerstörung einer Illusion (‘Destruction of an Illusion’) by Karin Mack, which was produced in 1977 with a self-timer and her hand processing work in the darkroom. Forty years after its creation, it is a new perspective that transforms and sets into motion the examination of the self-image and role as a woman into a three-dimensional object. Light and rotation create an illusory horizon of perception inherent in filmmaking and…