Film Categories: Film Farm

  • Presque Vu

    Lush hand-crafted film footage and HD images combine to reveal a mysterious past through remnants of a memory that is almost remembered, but which never fully develops. Language note: Presque Vu is without language or dialogue. There are words spoken in a mysterious language, but they are not intended to be understood.

  • Before

    With intricate hand-printed 16 mm footage, Before is a dark ode to the possibility and impossibility of love. It reflects on time, inner worlds and soft landings we find in desolate moments in life.

  • P L U M E

    Fingers pluck fallen evidence of flight; placed and traced to make avian light.

  • Solarization

    An experiment in solarization filmed at the Independent Imaging Retreat in Mount Forest, Canada.

  • Deep 1

    Filmed over 2 years (2020-2022), at home and away, Deep 1 is a diaristic meditation, flower/plant processed and decayed with hyacinth and lichen extract. Winged and four legged animals, both wild and domestic, traverse the frame marked by a hand-made practice. Filmed from 2020 – 2022, processed and decayed with hyacinth & lichen extract, the film is built on a sustainable practice: images and the imaging making process evolve out of “a complex material engagement with an eco-system that draws out the expressive possibilities of living things beyond conventional forms of representation”. Kim Knowles on Hoffman’s practice – Jury Award…

  • Last Light Breaking

    Words on stone monuments, floating through the frame, suggest that origin always has a powerful, lived base. Deeply charged images seem possessed by the memory of those who have passed through. This experimental film is an examination of the ties that have formed beyond the last light.

  • Happy Birthday!

    Happy Birthday was created with a newly-found cassette recording from my 1970 birthday party. One hears a 16mm camera motor starting and stopping in the background as my father directs me to mark the “takes” in a 16mm film that was also found, but never developed, and whose images were consequently lost. Using the same Bolex camera that he had used, I recreated the images to accompany the found sound, a blank screen formed by morning sunlight, textured with the bubbles and scratches of hand processing in the basement barn of the Film Farm. [Originally shot at Philip Hoffman’s Independent…

  • Currents / Perpendicolare Avanti

    Currents / Perpendicolare Avanti is a camera-less, hand-made, 16mm film collage, based on the artist’s autobiographical experience as an immigrant. In three movements, the film explores the dynamics of inhabiting the in-between space of moving between multiple countries and their temporalities, through visual and sound abstraction, interlacing and recycling pre-existing film materials and, using fragments from anonymous orphan films. Utilizing these so-called scraps, Currents is a film of extensive remediation, treated by hand through the use of the emulsion lifting technique, thereby re-imagining, re-constructing, and de-constructing the liminality of immigrant life. The re-writing of the self in Currents is produced…

  • Skyscraper Film

    Can I use the film strip structure as an architectural element? Is it possible to use the celluloid from the film as a cement? Can these skyscrapers be turned into something else? Can solid lines blend into sensual, natural curves? Can I melt skyscrapers? Skyscraper Film was created to try to give a visual answer to these questions, arising from the artist’s relation to urban maps of various locations and their respective skylines, populated by imposing skyscrapers and reinforced concrete panoramas: Quebec, Kingston (Canada), Maryland, Pittsburgh, Baltimore (USA) etc. Cities are presented to us as an abstract handmade camera-less collage,…

  • Negative / Positive Film

    Negative / Positive Film is a hand-made, camera-less collage film composed of layers of erotic 16mm films from the 1920s, 1940s, and 1970s, intermingled with nature documentaries and layers of organic materials. This visual abstraction merges together both positive black-and-white film and its negative black-and-white counterpart – on the same film base. This allows the film to exist in two versions, one positive and, the other negative. The film is an abstract remediation of female bodies dislodged from their original erotic context and ripped away from their male co-protagonists. The man is removed from the picture, while the female body…