Film Categories: Horror

  • Thorn on her side

    A human narrates the story of a bad dream after buying a gorgeous plant at the market. What starts as an innocent encounter to relieve loneliness from isolation becomes a nightmarish seduction scene between a plant and its human. Together they give birth to a new creature.

  • On The Department Of Experiential Medicine II

    Initially an anti-gay marriage performance in a veil, speedo and heels reciting the Litanies of Satan, singing a Galasian Amazing Grace and then upending a bottle of champagne into my prelubed anus where the pressure pushed its contents inside. I then evacuate into two glasses and toast with someone from the audience. It then changed into a DIY AIDS-meds Cocktail performance with me dressed as a nurse, juicing beets and pushing vitamin supplements into my anus before taking the champagne. I then evacuate it into glasses with the beet juice and toast the audience with these cocktails.

  • How Long?

    A strange series of events have propelled the world into an uncertain, looming future. A young woman wakes to find her partner pacing in the rain, wracked with anxiety over an unidentified yet seemingly inevitable disaster. She tries to comfort her partner amid her own escalating fear — and a cataclysmic change may be closer than either of them had imagined.

  • TERMINALLY IN LOVE

    TERMINALLY IN LOVE is a first-person journey through a haze of heartbreak, pot smoke, heroic delusions, failed connections, wistful fantasies and cringeworthy dreams.

  • Sammy

    Toronto, July 27, 2013, shortly after midnight. Sammy Yatim is standing inside an empty streetcar, a small knife in his right hand. A Toronto Police officer will shoot him dead. From a mixture of gunpowder, blood and acrimony: the portrait of a boy who didn’t have to die.

  • Heavy Petting

    A lonely young woman scrambling to fill the void left by a missing household pet forges a strange and tenuous bond with an unexpected visitor role-playing in a cat costume. When the animal returns, the visitor is discarded and returns to life of profound solitude and invisibility, which inspires a macabre test of their social obscurity.

  • Engine Complex: Bridge/Seed

    A fraught passage of the camera’s eye through fantastical architectural and psychological spaces. Somewhere between a body and a building, the lens tumbles and lurches through time and space, caught between observation and escape. Themes of construction blend with surgical examination while the joys and pains of discovery rattle with a search-and-rescue-like urgency. Where are we? Co-directed by Bryan Morello and Matthew Endler, this work emerges from a multi-level structure (called the Engine Complex) built in their shared studio. It is a playground for collaborative overlap and hosts a wide spectrum of playful set design and experimental performance activities.

  • Homunculi

    Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments. Reassembled, these once disparate images form a cinematic prism in which to view and confront the prevalent anxieties of an increasing uncertain future. Homunculi is a visual and sonic daydream, reaching beneath the facade of domestic and pastoral tranquility to reveal a lurking, inevitable force that promises to tear the world asunder.

  • The Taking of Jordan (All American Boy)

    Jordan, an amateur adult performer, recalls the horror of his many former lives.

  • IF YOU MEET ME ON THE ROAD

    Performance intervention in response to the shooting death of Brazilian national and British resident Jean Charles de Menezes by London police in a tube station July 22, 2005 on suspicion of terrorist activity.