Film Categories: Identity

May 35

A haunting commemoration of the Tiananmen Square uprisings made from fragments of censored archival imagery transferred onto film using razor blades and scotch tape. “May 35” speaks to the difficulty of remembering in the absence of memory, especially when June 4 histories have been censored and obscured. It is a tribute to the thousands of lives devastated by this upheaval. Sound Design: Kadet Kuhne
Badassery

This compelling exposé takes a look at three female DJs who are unapologetically disrupting the Toronto hip-hop scene. The film chronicles the journey of women who are pursuing their passions and crafting their careers in a male-dominated industry. From the up-and-coming independent curator to the global powerhouse, these creatives have crafted a brand for themselves as industry leaders, without compromising who they are. They are paving the way for a generation of women and LGBTQ people, previously excluded from the social and cultural norms of the hip-hop world. It is the weirdos and nonconformists who are now redefining what it…
Nadia’s Songs

“Nadia’s Songs” follows a teenage boy who finds a collection of CDs that used to belong to a stranger known only as Nadia. In their shared taste in music he imagines her life story while in turn reflecting on his own. One part essay and one part love letter to second-hand music shops, “Nadia’s Songs” explores the many ways we can forge our identities through the art we consume and things we collect as young adults.
Rettet das Feuer (Rescue The Fire)

Berlin, 1993. Photographer and artist, Jürgen Baldiga, battles HIV. In the 1990s, the AIDS epidemic reached its climax, to which no one was prepared. Infected bodies and their stories diminish, erasing their existence. Through the death of his friends and subsequently his own, Baldiga becomes the chronicler of his time: “I am taking a picture. I photograph the world. I exist.” Identity and history disappear without the persistence of memory. Until the final days of his life, Jürgen documents the exodus that seizes him. Rettet das Feuer (Rescue the Fire) directs the gaze to a piece of West Berlin history…
Through Foreign Eyes

The filmmaker thought of making this poetic, mosaic documentary in a bookshop, when she came across the words of poet Manoel de Barros about “the accent of the place of our origin we carry in our eyes”. She never found the quote again, but in the course of the next few years, she carried out the project with the help of other contributors, mainly the film editor. She created a film essay combining reflections on the identity and ethnic roots of several natives of the Brazilian city of Recife, who live abroad, and the images of the places where they…
GIK:SKWOD: How I lost My Indian Name

In this experimental short film, a Seneca filmmaker shares how he lost his Native American “Indian” name. BACKGROUND: This is storytelling told through narration, images and text. In “Gik:skwod,” the filmmaker made cuts according to his eye blinks. During his film studies at Syracuse University, he read an excerpt from Walter Murch’s “In the Blink of an Eye: A Perspective on Film Editing.” In the excerpt, Murch explains how we naturally edit what we see through our eye blinks. The filmmaker created “Gik:Skwod” by experimenting with Murch’s editing concept.
Doing and undoing: poems from within #1 radiotherapy

It deals with interventions that I had made with my mother during her cancer treatment. The film is part of large project dealing with my mother’s cancer healing process. Hacer y Deshacer: Poems from Within (2019) is an interactive video installation. Most of the video sequences show Gelis’s mother undressing, one strand of yarn at a time, sometimes in Panama’s Casco Viejo (historic district), sometimes in the turbulent waters of the Pacific. Using her mother’s body, she tells the story of a cancer survivor, the story of countless others. Gelis invites us into the healing process: the viewer can change…
Vanilla

Vanilla takes you through the everyday ordinary life of a disabled senior citizen living in Ottawa, Canada. It is a portrait documenting aging and the loneliness of those suffering in silence. The black and white film was shot on 16mm Bolex film camera using a KODAK 7222 Double-X Negative film. Processed by Niagara Film Lab (Toronto). Created as part of Independent Filmmakers Co-operative of Ottawa (IFCO) – Dogme Production Challenge.
ARTIFACT (circa 2006)

The archaeology of Identity. Consider a world where all human communications are represented by numbers, a digital world. Imagine a future archaeologist finding a DV cassette from hundreds of years ago (a real found object, circa 2006, full length and uncut). Imagine trying to decode this ancient digital object, codecs unknown, obsolete, hardware long lost. Crack the code? Available algorithms scan, databases compare, construct, deconstruct, reconstruct the artifact. 2006, the dawn of self-by-numbers, digitized identity. What human fragments, fugitive narratives, remain? Do we have a future history? What will the algorithms decide? All bookings of this film include a free…
the framing of perception

“I saw the light…” Sun, light, darkness, shadow — from time immemorial all weighted with significance and wonder. What mastery over nature, over others, to grasp the sun, control light itself! Know its speed, its heat, its colour, its radiation, its nature – is this not the power of the gods? Cinema is messaging with light and shadow. Figure and ground. Light, onto which we project significance, now transports our information. Perception shaped by our experiences, our interpretations, our projections, our illusions. Frames of drama and comedy, journalism and documentary, propaganda and advertising, all combined daily and edited, reproduced for…