Film Categories: Identity

  • Film About a Father Who

    Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. FILM ABOUT A FATHER WHO is her attempt to understand the web that connects a child to her parent and a sister to her siblings. With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory, views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately…

  • Maya at 24

    Lynne Sachs films her daughter Maya in 16mm black and white film, at ages 6, 16 and 24. At each iteration, Maya runs around her mother, in a circle – clockwise – as if propelling herself in the same direction as time, forward, on celluloid at 24 frames per second. Conscious of the strange simultaneous temporal landscape that only film can convey, we watch Maya in motion at each distinct age.

  • Fragmentasia

    An exploration of the sense of self, through kaleidoscopic imagery, distorted sounds, and a flurry of colours. Fragmentasia is a self-reflexive short, shot on 16mm and Super8, using animation techniques, prisms, and mirrors, to examine the outward self versus the internal self.

  • The English Teacher

    English teacher Kofi Frimpong is starting classes once again for immigrants at a local language school in Toronto. Before starting the lesson, Taranjit Bains interrupts him to ask where the instructor is. Unsatisfied that Mr. Frimpong is teaching the class, Taranjit does not return. This isn’t the first time Mr. Frimpong’s legitimacy to teach the subject has been questioned, but it eats away at him nonetheless.

  • Mango Lemon Soda

    After spraining her ankle fleeing a terrible date, Zahrah is forced to spend an evening with her estranged ex, Tyler.

  • processing…cleaning…refreshing…

    a depiction of an individual going through a phase in their life, they are navigating what constantly shifts inwards and outwards.

  • past(or)already

    A 16mm film comprised of 10 images from my grandma’s photo albums of my childhood printed frame by frame through a digital to film process

  • Lion in the Wind

    Fugue for wushu in the West.

  • After Bed

    Pulsing flashbacks from the summer of love reawaken a queer California classic.

  • Last Light Breaking

    Words on stone monuments, floating through the frame, suggest that origin always has a powerful, lived base. Deeply charged images seem possessed by the memory of those who have passed through. This experimental film is an examination of the ties that have formed beyond the last light.