Film Categories: Immigration

Building History: The Story of Benjamin Brown

A portrait of Toronto’s first practicing Jewish architect. Working at a time of anti-Semitism in the city, Benjamin Brown’s buildings stand as a testament to Toronto’s cultural and industrial history.
Nachlass

“Nachlass” is the German word for inheritance. It is also the word for posthumously published works. Most commonly, it is used to describe all the things, both the valuables and the junk, left behind in an apartment after its inhabitant has died. In Nachlass the everyday objects of a Ukrainian immigrant to Canada function as placeholders for all of the information that has gone missing between languages and cultures in the process of immigration. However, although this story at the turn of the century is one, which must operate beyond the realm of language, its continuation today in the Germany…
Sira

‘Sira’, in Arabic, literally translated, means biography. Arabs are a people known for their oral tradition. Through excavated footage and narration, Sira examines the displacement of a family, beginning with the event that catapulted their exodus from Kuwait as a result of the Iraqi invasion.
America

An Iranian journalist couple wants to move to America to escape the difficulties of their country. The woman receives her visa but her husband doesn’t. He stays in Iran and watches his wife find success on television and falls into a state of depression.
Deema

After years of living abroad, Deema is reunited with her childhood friend Nidal. When their love blossoms like the Arab Spring, a pain nested deep within suddenly re-surfaces as she fights to revive the phoenix inside of her.
Emergence

“Emergence” is a video installation created to counter the violence of blackface in its representation of Blackness. This piece re-asserts the beauty of Blackness and challenges the reductive nature of contemporary Canadian blackface through extreme close-ups of black faces in all their diversity. Shot in extreme slow motion and projected by two projectors at a large scale on two screens, the images appear to be stills at first, but reveal themselves over time to be moving. These parts of lips, noses, eyes, posit the face as a signifying landscape. Serene images contrast with others that depict faces and arms pressed…
Elegant Flower

‘Elegant Flower’ is a diaspora story that follows the life of a Hungarian refugee over the course of his 60th birthday weekend. Burdened by the separation of his beloved family and little sister, Zoltán Király engages in activities to bridge this chasm of geography and time. Incorporating beautiful 8mm found film and distinctive Toronto landscapes, one is given a subtle revelation and connection into this quiet and passionate man’s internal struggle.
Video Home System

‘Video Home System’ traces the convergence of popular culture and politics in Pakistan during the 1980s and 1990s. This video showcases the connections between pop culture and nationalism, and how bootleg economies kept the cinema industry alive during periods of censorship. Image description: A young man sits at a desk behind a pile of VHS tapes, illuminated by a desk lamp. The wall behind him is vivid green.
On the Line

“On the Line” is inspired by Isa Shimoda, a butch gender nonconforming immigrant who served meals to Japanese American tuna cannery workers in her restaurant on the docks of San Diego in the 1930s. She was known for her masculine attire as well as her skills at naginata, a sword-based martial art practiced by Japanese women. Her restaurant was a refuge for the women who endured gruesome hours cleaning fish and lived in meager housing shelters known as “fish camp.” Shimoda has two sets of wartime records from the incarceration camps—one identifying her as female, the other as male. “On the Line” uses…
Wayward Emulsions

Fleeting cinematic impressions of a wayward woman are captured in the oblique wanderings of emulsion lifted from stray reels of 35mm film. Winner, Experimental Short Grand Jury Prize, Slamdance Festival 2019