Film Categories: Labour

  • Livestock

    “Livestock” is a documentary study of one stage in the production of motion picture film. Most of the animals at the Warren Livestock Auction will be sold for industrial meat production. Their bodies will be slaughtered and processed, their bones prepared for rendering into gelatin that might one day suspend silver halide on a strip of acetate.

  • RGB

    A mantra of self-optimisation, not unlike the nervous state of mind of a new-economy entrepreneur.

  • The Washing Society

    When you drop off a bag of dirty laundry, who’s doing the washing and folding?  THE WASHING SOCIETY brings us into New York City laundromats and the experiences of the people who work there. Collaborating together for the first time, filmmaker Lynne Sachs and playwright Lizzie Olesker observe the disappearing public space of the neighborhood laundromat and the continual, intimate labor that happens there.  Inspired by To ‘Joy My Freedom author Tera Hunter’s depiction of the 1881 organization of African-American laundresses in Atlanta, Sachs and Olesker’s film THE WASHING SOCIETY investigates the intersection of history, underpaid work, immigration, and the…

  • COPING

    A bunch of monsters are trying to relax after a long day of work.

  • The Places We Lived

    The Places We Lived uses a large family archive of Super8 and digital home movies from the mid-1970s to late 1990s to grapple with the hopes, dreams, and disappointments of two South American immigrants who moved to Montreal in the wake of the excitement and optimism generated by Expo ’67. This story focuses on the father, Jose (“Pepe”), whose life in Canada followed four hardscrabble decades in Chile. A story about childhood and fatherhood, aging, capitalism, and obsolescence, The Places We Lived opens up new questions about class, memory, diasporic narratives, and the complicated histories of migration and exile.

  • Island Cowboy

    Island Cowboy is a documentary that follows a Canadian beekeeper on Prince Edward Island during one of his last years of work. At the age of 68, Stan Sandler would like to retire, but impending threats to his island home’s ecosystem threaten the future of the bees, and the health of the environment. The relationship between a beekeeper’s labour and the economy of the island’s blueberry crop is explored through a season of beekeeping, as we get an intimate look at Stan and the “bee cowboys”.