Film Categories: Landscape

  • Brimstone Line

    Three grids are placed along the Credit River in rural Ontario. They become devices through which the stationary camera, pointing upstream, delineates the landscape. They motivate the movement of the zoom, which intensifies our sense of the field of view, narrowing vision and flattening space. The river, framed momentarily, flows past. Financial assistance provided by the Toronto Arts Council.

  • Schuh Schnell Service

    A simple intersection in Wuppertal, Germany becomes a microcosm of the patterns of everyday life. Cars trace the angles of the streets, pedestrians forge new paths and Wuppertal’s famed Schwebebahn turns our expectations upside-down. Shot on Super 8 in Wuppertal April 28, 2009, while making Phantoms.

  • Jacumba Song

    Lucienne Delyle, Tsygan the dog, Helena Petrovna Blavatsky and a mantis meet in the desert to take the waters and sing of love. An anarchistic exploration of mythologies and performative languages of romantic love and illusion combining legend, cartoon and dream. Shot in the Anza Borrego desert on Kodachrome and Ektachrome Super 8.

  • 28 Days

    This video pays stylistic homage to girl punks and 1960’s rock and roll girl groups. Camera moves and mise-en-scene are inspired by the 1963 music film for “He’s Got the Power” by the Exciters. The video responds to the song’s theme of menstruation by presenting a series of celebratory images of female solidarity.

  • A & B in Ontario

    “Hollis and I came back to Toronto on holiday in the summer of ’67. We were staying at a friend’s house. We worked our way through the city and eventually made it to the island. We followed each other around. We enjoyed ourselves. We said we were going to make a film about each other – and we did.” – Joyce Wieland “A & B in Ontario” was completed eighteen years after the original material was shot. After Frampton’s death, the film was assembled by Wieland into a cinematic dialogue in which the collaborators (in the spirit of the sixties)…

  • Solarization

    An experiment in solarization filmed at the Independent Imaging Retreat in Mount Forest, Canada.

  • Une Terre familière

    Where is there to belong to? To not feel strange? To not ask permission? Ground. Home. A familiar land. Une Terre familière is structured as a series of long-take vignettes, each centered around a site purposing a collision of nature and artifice. Within highly manicured environments, these sites attempt to imitate natural processes and un-peopled ecosystems and to preserve and manage elements of nature. The figures in Une Terre familière struggle to do their best with what they have- to find their own sun at the tanning salon, their own clouds in the steam room- to improve, to connect, to…

  • Explorations of an Unexpected Time Traveler

    Explorations of an Unexpected Time Traveler imagines a narrative where a woman from some undisclosed point in the past experiences continual unexplained and uncontrollable shifts in time and space. Suddenly finding herself in unfamiliar spaces, seemingly devoid of other people, she explores the various regions recording her discoveries through moving image, sound recordings and photographs along the way. Shot in various cities & counties in Alberta; Colorado; and Yukon Territory. Conceived while in Dawson City, Yukon Territory while an Artist in Residence at the Klondike Institute for Art and Culture (KIAC), March 2013. [Installation version includes a series of over…

  • The Weight of Snow

    A home movie of a trip to Chernobyl, a dying matriarch and a set of troubling personal circumstances, The Weight of Snow is an essay documenting memory, time and place. A film referencing the tradition of personal travelogue films of The Escarpment School and the essay style of Sans Soleil, The Weight of Snow travels from Canada to Chernobyl from the perspective of a young man exploring radiation in the midst of death, cancer and emotional turmoil. A collection of all techniques used throughout the Lion series, The Weight of Snow is the centerpiece of the work. Echoing the collage…

  • Forever

    Part dream, part documentary, Forever weaves history and hedonism to form a world of dandelions, hypnosis, bicycles and memory. Created from experiments replicating the effects of radiation on film, the piece explores the nature of airborne radioactivity and brings us from a woman’s story of adolescence, to a bicycle race, to life in the Soviet Union. A bricolage of pop culture and personal histories, Forever is about looking for dandelions and finding atoms. As the opening film of Lion, Forever employs spray and smudge techniques to explore the concept of airborne radioactive contaminants and how they travel in open air.…