Film Categories: Mental Health
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Just Words
“Using as it’s text Samuel Beckett’s ‘Not I,’ this shocking gift incorporates optically printed home movie footage and an eerily slick close-up of actress Patricia MacGeachy as she rants at lightening speed Beckett’s words about home, family and the confines and alienation associated with being a woman.” – Program notes, Madcat Film Festival, San Francisco, 2001 “A 10-minute tour de force […]. In ‘Just Words,’ Bourque intercuts footage of her mother and her sisters with a performance by actress Patricia MacGeachy of Samuel Beckett’s ‘Not I’; the result is unnerving (as all Beckett is) yet touching (as some Beckett is…
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Pura Sangre
Torn from the pages of a South American travelogue, “Pura Sangre” explores society’s obsession with sociological and biological bloodlines. Spanish-language version also available.
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In a Present Distance…
“In a Present Distance…” explores the complex terrain of motherhood, through an experimental narrative about a woman who travels to Quebec City to do research for a film she is making. While on the train, fragments of her life emerge and speak subtly to the journey of life: of grieving and loss, of happiness and sadness, as well as the joyful and reverent gestures of living. At the heart of this film is her child, shown at various times and spaces in his development as he explores the world around him. It is through him and his growth and discovery…
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Memo to Pic Desk
An idiosyncratic look at staging in news photography, using materials from the archives of a Toronto daily. Moral codes, delinquency and autonomy are pulled into an altered coherence, as vintage photos are examined next to their type-written paper trail. Financial assistance provided by the Ontario Arts Council. Selected screenings & awards: Best Experimental Short Film, Lusanne Underground Film Festival, 2007; Toronto International Film Festival, 2006; Jury’s Choice Award, Black Maria Film & Video Festival, 2007; San Francisco International Film Festival, 2007; Ann Arbor Film Festival, 2007; Big Muddy Film Festival, 2007
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Butch or Consequences
Louise, an old-school butch, falls in love with a pretend TV lesbian and in her desperate need to be with her she participates in a fictional make-over show, Inside Out: Deviant Dyke to Diva. Louise, reveals her new marriage approved look to her local dyke march when suddenly it all starts to go wrong, or, some would say, it all gets right.
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(panacea)
Two lovers – a sailor and an artist – made of different fabrics (one skin, one pleather) spend their last afternoon together.
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This Time Last Year
On Thanksgiving of 2001, Daniel set her video camera to run while she and her family got ready to pose for a photograph. One year later, she turns the footage, together with notes from the same time, into a portrait of all that is no longer there. “Daniel explores loss as something sensed, felt and lived with in this poetic portrait of the absences we feel in the moments we capture on film.” – Images Festival 2003
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Parenthesis
A simple inadvertent sequence of a few unassuming moments ends up feeling somehow sad and somehow beautiful. How this happens is hard to say. It has something to do with the interplay between what we can and cannot see, the incidental tensions underlying each small moment, the figures forming and reforming on the side.
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Two Unrelated Shots
An ode to our imaginative and creative instincts, “Two Unrelated Shots” is simply the outcome of a need to make something.
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Figure on the Ground, A
A hand-tinted hand-processed film loop dances with an obsolete low-tech telecine transfer machine to the underscore of a filtered soundscape. A portrait of the filmmaker in several inferences at once, with a nod to a few of her influences.
