Film Categories: Music Video

  • Miracle & The Making of a Miracle, A

    “A Miracle” is the first-ever music video featuring Toronto-based “Gay Folk Church Music” ensemble The Hidden Cameras. “The Making of a Miracle”, shot simultaneously on video and Super 8, is a companion piece featuring behind-the-scenes hijinks during the production.

  • Blues Accordin’ to Lightnin’ Hopkins

    In his own words and music, Lightnin’ Hopkins reveals the inspiration for his blues. He sings, jives, ponders. He boogies at an outdoor barbecue and a black rodeo and takes you with him on a homecoming visit to his boyhood home of Centerville, Texas. Blank has captured Lightnin’s blues in their fullest, darkest power. The film reaches “past the impish bluesman himself into the Blues itself, into the red-clay Texas, into hard times, into blackness, into the senses… you begin to understand the reasons why black Texas people might be in love with this land and angry at poverty” (Carmen…

  • We’re Talking Vulva

    A five-foot, six-inch rappin’ vulva, in an unexpected parody of the music video genre, leads the viewer on a complete description of female genitalia.

  • I Know I’m Late

    Playing on the classic backstage drama, this short musical featuring Jef Barbara’s I Know I’m Late embeds the story of its own making into a fantasy performance in the dressing room of a Montreal cabaret. A chorus of backup dancers distracts the star of the show as he explains his tardiness through song. The film culminates in a dance routine reminiscent of ’90s MTV music videos and offers an appreciative reflection of idiosyncratic individuality, community and inclusion.

  • Solomon’s Seal (Part 05 of Augury)

    Immanuel Kant’s wager: the moral law within and the heavens above. Fear, flight and infinity, post 9/11. Guided by an original soundtrack of Appalachian dirges and drones, this is the fourth of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are…

  • Skyport (Part 04 of Augury)

    Immanuel Kant’s wager: the moral law within and the heavens above. Fear, flight and infinity, post 9/11. Guided by an original soundtrack of Appalachian dirges and drones, this is the fourth of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are…

  • Ash Beetle Backstep (Part 03 of Augury)

    New bugs, lost trees. And after the Green Resurrection, will there be a confession? Guided by an original soundtrack of Appalachian dirges and drones, this is the third of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out…

  • Daisy Wheel (Part 02 of Augury)

    A bridge, to hold firm, demands a human sacrifice: the architect’s wife. Guided by an original soundtrack of Appalachian dirges and drones, this is the first of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out the techno-enthrallment,…

  • Levitation Road (Part 01 of Augury)

    A bridge, to hold firm, demands a human sacrifice: the architect’s wife. Guided by an original soundtrack of Appalachian dirges and drones, this is the first of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out the techno-enthrallment,…

  • Mono

    Mono (2015) is a mystical film on monolithic architecture, monophonic music and the ancient female old. A celebration of slowness. A dense video-audio dynamic, demanding and minimal, suggests a mysterious background story, a genesis of drone and stones. Alongside with atmospheric static shots of various ancient and modern monoliths (including an artificial one), the tale is performed in three languages (English, Welsh and Old Norse) narrated by women of different generations and cultures representing the ancient past, the current presence and the distant future. No actual reference to time or place is made. Six musicians have designed music for different passages…