Film Categories: Politics + Policy

A MOOR – (or a “room” inverted) synthesizes the multiple meanings of securing, uncultivated land, and an ethnic population in its portraits of Caucasian sex tourists who blur into one another through the POV of an unheard and unseen Asian escort. The dynamics of power and race revealed through the clients’ speech and not allowing the Asian character that forms the core of the film to be seen or heard.

The unspoken issue of LGBT domestic violence becomes an allegory for LGBT racial dynamics. Drawing inspiration from the claustrophobic tensions of Tennessee Williams, it distills the undertones between classes in society, the plight of immigrants in Canada, the double-edge of charity, and the transference of violence from people’s fetish and fear.

CONTENTUS takes its cue from the meanings of the (latin) word – to strain with exertion, to hold together; in which three parallel stories intersect in a contemporary allegory of labor, loneliness, prejudice, power and place. Connected by isolation, everyday cruelties and unheard stories, the underrepresented characters straddle the metaphoric and the real. An unseen Asian escort’s clientele of Caucasian sex tourists blur into one another, domestic tensions and violence of a professional man and his young live-in immigrant lover, and an encounter between a young banker and his older homeless doppelgänger in a city meridian populated by High Finance…