Film Categories: Politics + Policy

  • The Fenestration of Suburbia

    The Fenestration of Suburbia is a melancholic social documentation of a cold Canadian suburb. Framed behind windows and surveilled from the street, the lives of suburbanites float in the black cinematic frame to form images that are simultaneously sorrowful, mundane, theatrical, and puzzling.

  • Terminations

    “Terminations” is an exploration of womanhood and the struggle over a woman’s right to control her own body, and in turn her own destiny. The film’s separate yet connected story lines focus on a day in the lives of seven female characters, all at the emotional crossroads of terminating a pregnancy. As we steal a look into their lives, their stories are unmasked.Broken relationships, death, cultural clashes between parent and child, and faith are all themes which emerge within the film, as interveners between these women and their bodies. 

  • camera settings

    exploring surveillance documents, the idea of leaked sex-tapes, hidden camera and sexual obsession

  • HOSER

    This video was constructed in response to my experience of sexual assault and linked to the data collection/research I was doing shortly thereafter in publicly accessible community discourses of sero-conversion (pozzing) fetish, which have since received some scholarly attention in the Academy in the Social Sciences in relation to HIV acquisition/prevention and Queer theory. This tape is a reflection upon ideas of disclosure, self-determination, self-loathing, and informal support networks.

  • IF YOU MEET ME ON THE ROAD

    Performance intervention in response to the shooting death of Brazilian national and British resident Jean Charles de Menezes by London police in a tube station July 22, 2005 on suspicion of terrorist activity.

  • IRL

    With assistance of social hockup apps, cruising and converting public spaces into gay sexual playgrounds has become a whole new game.

  • On The Department Of Experiential Medicine II

    Initially an anti-gay marriage performance in a veil, speedo and heels reciting the Litanies of Satan, singing a Galasian Amazing Grace and then upending a bottle of champagne into my prelubed anus where the pressure pushed its contents inside. I then evacuate into two glasses and toast with someone from the audience. It then changed into a DIY AIDS-meds Cocktail performance with me dressed as a nurse, juicing beets and pushing vitamin supplements into my anus before taking the champagne. I then evacuate it into glasses with the beet juice and toast the audience with these cocktails.

  • premièrement comme tragédie

    With a friend we play a game, negotiating sex and risk but providing only evasive deflection and questions. My friend and I negotiate with each other, I to him in French and him to me in English. We fuck. The scene plays again, simultaneously but we play the role of the other person. Him to me in French and me to him in English. We switch roles. The negotiation scene and subsequent sex act are transcribed and we learn each other’s part and switch roles. The two tapes are then layered onto each other so both scenes play out simultaneously.…

  • Cross Examination

    A short film by Lori Hiris about the Clarence A. Thomas-Anita F. Hill hearings. The camera remains fixed on the eyes of a black woman who occasionally sheds tears while portions of testimony from the hearings are heard. A statement about feminism and race accompanies the closing titles.

  • For a Woman in El Salvador, Speaking

    Claudina Calderon, pregnant, with a small son, disappeared in San Salvador, abducted by government security forces. Her plight generates this filmic meditation, creating the voice of her mother through poetry, music, and murals to dramatize the story of one woman who stands for many. This film was made for the Women’s Association of El Salvador (AMES). With Susan Freundlich, sign artist, and the voices of Carolyn Forche and Yanira Chacon.