Film Categories: Portraits

  • I Want To Kill Myself

    Contemplating suicide: a biography.

  • 2076 (Elegy)

    In the year 2076, a cyborg finds moving images made by their great-grandmother in the last years of celluloid. Looking at the images, they are struck by the past, causing them to dig into their own memories, history, and identity.  Gleaned from images from the filmmaker’s life, 2076 looks at the ways in which familial history and queer identity are communicated through the archive/photographic image. Topically situated as the analog image is quickly disappearing, this film explores its virtues, illustrating the ways in which the past imbues small moments with power and glimpses of our past can speak and serve…

  • Take a Walk on the Wildside

    Wigs: shoulder length or long, naturally curled or straight. Shoes: pink glittery six-inch heels or black shiny two-inch heels. Nipples: stick on dime or dollar sized. A vibrant mesh of items line the shelves of one of Toronto’s oldest cross-dressing stores. Opened in 1987, Wildside was one of the only places to offer a full male-to-female transformation through makeup, clothing and hair. Still open today, Take a Walk on the Wildside provides viewers with a glimpse into a day in the life of the store. As five customers pass through, we peek into their colorful lives and reasons for visiting.…

  • Palmerston Blvd.

    In “Palmerston Blvd.”, Dan Browne invites the audience into the intimate space of his living room in this portrait of a bay window recorded over the course of a year. Gradual shifts in the interior and exterior environments mark the passing of the seasons, a slow dance of objects and light juxtaposed by the rapid speeds of bodies and the urban landscape, revealing the processes inherent in all things. Selected Screenings: Toronto International Film Festival, Wavelengths Programme, 2017 (Toronto, ON); Antimatter Media Art Festival, 2017 (Victoria, BC)

  • Taylor Creek

    Notes towards a compost-based vision. World premiere at Crossroads Festival (San Francisco, CA, 2018)

  • Generation

    Life cycles of an orchard visit.

  • Concrescence

    Static winter forms melt in sunlight.

  • Fluids

    6 years ago two artists attempted to make a queer, sci-fi porno: it failed. What emerged 6 years later out of its campy/tragic/melodramatic ashes is this erotic experimental documentary; a meditation on the intersections of failure and fetish as well the meticulous, accidental processes of constructing of cinema and identity

  • Experiments In Light

    This short explores light as a meditative state while encouraging the viewer to take a moment to be present within themselves. Taking footage from my narrative self portrait A Celebration of Darkness (2015) and recutting it to refocus on the various macro shots of crystals as an expansion on the theme of light and darkness. The images in this short was made possible by the LIFT/ImagineNATIVE 16 mm Film Mentorship in 2015, it’s post production was funded by the Ontario Arts Council Access and Development grant in 2016 and completed as part of my Media Artist in Residence with Workman…

  • The Royal Women Association

    THE ROYAL WOMEN ASSOCIATION tells the story of a group of South Asian women in Calgary who have banded together to overcome the isolation and loneliness so common among older members of their community. The women break out of their shells and overcome their demons by sharing songs, poetry, food, and laughter at the group’s monthly meetings. As they plan an event that calls attention to domestic violence in the community, one member, Sarbjit, tries to come to terms with the trauma of her own past.