Film Categories: Racism

  • Queering Yoga

    Queering Yoga tells the story of 6 Queer/Trans/QTPOC yoga teachers and their personal stories of healing, transformation, and yoga journey. Themes explored include: What is the intersection of Queer, Trans, and QTPOC identities and yoga? What does empowered and embodied visibility look like for the Queer, Trans, and QTPOC communities? What does it mean to decolonize one’s yoga practice and why is this important? Queering Yoga embraces an intersectional lens to explore identity, personal, and community transformation. The film positions Queer/Trans/QTPOC yoga teachers as important voices and leaders in current day yoga conversations and spaces committed to ending racism, homophobia,…

  • the air we breathe

    the air we breathe is an experimental documentary that thinks through the complexities of air pollution by weaving together themes of environmental catastrophe, environmental racism, cultural and political shifts, and conspiracy. Combining research into air pollution along with personal storytelling and speculative imaginings, this project deeply considers the complicated ways in which our air impacts us: from the way that smells travel through it and the memories they evoke; to the physical impacts of pollutants through shared inhalation; to the ways in which the air serves as a metaphor of connection in a cultural sense.

  • Searching for Justice

    Searching for Justice is a thought provoking short film by Tasha Brown that delves into the lack of fairness and equality, which is deemed insignificant in many societal norms. Fluid eclectic movements of dance are interwoven with the illuminating original spoken word written by poet Kells James.

  • blonde asian

    I found a post online about blonde Asian bimbos, and this video is me reading the post aloud in my bedroom. This is a commentary of me being or not being self-aware of my gendered and sexualized identity in the digital age, and an attempt at the de-sexualization of my body by performing the very performative found script.

  • séance

    In this piece, I attempted to switch between the persona of a settler woman and myself speaking on postcolonialism. I do this by taking my costume on and off. “Occupying the bodies of notable female figures from Peterborough’s history, Calla Durose Moya stages a conversation with the past in order to come to terms with her identity in the present. With volunteer and employment experience in local heritage institutions, Durose Moya has observed first-hand the limits imposed by the colonial lens with regard to a routinely prejudiced and biased version of history. Appropriating the images of settler women for her…

  • Sab Shimono: Acting “As If”

    On the eve of his eightieth birthday, acclaimed Japanese American actor Sab Shimono reflects on his lifelong commitment to the craft of acting, his struggles against racism and homophobia, and how his life was transformed by gay bars and marriage equality.

  • HK Uprising

    A tribute to the ongoing protests in Hong Kong that are taking place three decades after the Tiananmen Square uprising. Note: This film can be displayed as a multi-channel installation with May 35.

  • fuck

    A short solo film made in quarantine, “fuck” is part silent meditation, part protest, part magic spell for a better world.

  • Field Trip

    “Field Trip” is a travel diary on the American social landscape. The images consist of visual research for future film projects and were accumulated during my many location scouting trips to the United States between 1980 and 1995. Over time, I have come to regard this photographic archive as a collection of works of historical and personal value. Over the years, I began to rework the photographs. The more I handled and touched them, the less I thought of them as photographs and the more I saw them as something that could be hand-shaped, altered, transformed and re-imagined. With three…

  • The English Teacher

    English teacher Kofi Frimpong is starting classes once again for immigrants at a local language school in Toronto. Before starting the lesson, Taranjit Bains interrupts him to ask where the instructor is. Unsatisfied that Mr. Frimpong is teaching the class, Taranjit does not return. This isn’t the first time Mr. Frimpong’s legitimacy to teach the subject has been questioned, but it eats away at him nonetheless.