Film Categories: Resistance

  • Private Flowers

    In 1832, a Canadian Infantryman was hanged for making love with another man. The victim’s rank was Private, and his name was Flowers. Commissioned by Toronto History Museums’ Artist Mentorship Showcase: Pride with Mentor Ashley Mckenzie-Barnes with additional support from the open space residency programme at the National Ballet, TD Bank, Pride Toronto and the Ontario Arts Council. Created as part of Awakening with Toronto History Museums Private Flowers is part of a series of art projects by Black, Indigenous and artists of colour, operating under the principles of anti-oppression, anti-colonialism and anti-racism and is part of the City’s efforts…

  • Nimer (Family)

    Nimer—meaning “family” in the Even language—follows the life of a nomadic family in Yakutia as they navigate the delicate balance between tradition and modernity. Against the backdrop of harsh northern landscapes, the film captures their resilience, the strength of ancestral bonds, and the challenges of sustaining a way of life under pressure from social and cultural change. At its heart is the mother, who embodies both continuity and adaptation, teaching her children along their seasonal migrations while preserving the customs passed down through generations. Offering an intimate portrayal of everyday survival, devotion, and hope, Nimer invites audiences into a world…

  • The Years

    THE YEARS is a poetry film exploring life stages through various ages as experienced by different actors in a non-chronological order and time frame. Historical Super 8mm film footage mixes with digital recordings as the poem is voiced by the filmmaker/author. Questions of impermanence and the instability of time frame the histories indicated by the filmed images gathered by the artist over years of recorded witnessing.

  • A Semiotic Square for Violent Bear

    What does our culture dream? How can we locate that dream within the logics which govern our lives? Half collage, half essay, half serious, “A Semiotic Square for Violent Bear” is a busy, referential riff on the political moment.