Film Categories: sexuality

  • HOME MADE

    Home Made is an intimate, contemplative portrait of two queer tattoo artists navigating an industry traditionally dominated by white, straight, cisgender males. The film weaves together the parallel narratives of Jasmine, a shop owner in Philadelphia, and sally, a stick-and-poke artist in Brooklyn, through their trials and triumphs.

  • Bruce Eves In Polari

    BRUCE EVES IN POLARI is an intimate, upclose and personal portrait of Bruce Eves, the 2018 winner of Canada’s Governor General’s Award in Visual and Media Arts – that country’s highest honour. Eves’ work has remarkable intrinsic value that also engages key aspects of culture and history. His story began in Toronto’s clique-riven avant-garde art scene in the mid-1970s. As practicing artist and Programming Director for CEAC (Centre for Experimental Art and Communication), among other activities Eves crafted socially-engaged performance art pieces that were shown in Canada, throughout Western and Eastern Europe, as well as the United States. This included…

  • JUNK

    It’s a musical! Two gay men, one younger, one considerably older, are offered the contents of a recently deceased man’s dilapidated house in exchange for cleaning it out…items they hope to sell at a Raleigh, NC flea market…only to find nothing there but a mountain of ghostly vintage pornography…and personal memorabilia. As they sort through this debris, discoveries are made…not only of this man but of themselves, their unusual relationship, a generational divide…and loss. “The most offbeat buddy film of 2019 and beyond (as well as a future classic of LGBTQ independent cinema)” – Jed Ryan – Lavender After DarkHi…

  • A Scene

    A man drives up to his ex-lover’s house demanding that she express her feelings toward him in person. But even still, he won’t leave without making a point.

  • Slumberparty 2018

    Slumberparty 2018 is a remake of a 1984 Super 8 film called Slumberparty made by the Positive Pornographers, a mostly queer collective of Toronto-based artists, activists and sex-workers. Commissioned by A-Space Gallery’s “Developing a Women’s Erotic Language on Film” workshop, Slumberparty was made as a direct intervention in Toronto’s feminist porn debates. They wrote, “we didn’t set out to make a work of art. We set out to make something that might turn us on. Join us for what one previewer called “Mary Poppins’ first lesbian orgy. Slumberparty screened twice in public in 1984 then disappeared until 2016, when the…

  • Cherry Cola

    After Ryan receives an abrupt message ending his two year relationship, he and his fellow drag sister, Nick, partake on a drunken adventure for resolution. Moving through the city with night as their fuel, both queens are forced to reflect on the life they live, and the people who can’t seem to keep up.

  • Welcome to the World

    A daring film starring Albert M. Chan (GOTHAM, GHOSTS OF GIRLFRIENDS PAST, 30 ROCK) as a troubled man who records a video message for his pregnant sister. Taking place on the brink of a new life, this compelling film explores what it means to be human and the courage it takes to be fully alive. Drawing its power and immediacy from its first-person confessional style, the film presents, in one continuous take, the journey of one man’s awakening from isolation back to humanity. Welcome to the World won the award for Best Performance (actor Albert M. Chan) at the 2019…

  • Video Home System

    ‘Video Home System’ traces the convergence of popular culture and politics in Pakistan during the 1980s and 1990s. This video showcases the connections between pop culture and nationalism, and how bootleg economies kept the cinema industry alive during periods of censorship. Image description: A young man sits at a desk behind a pile of VHS tapes, illuminated by a desk lamp. The wall behind him is vivid green.

  • SHE IS THE OTHER GAZE

    Every encounter with an image, every interaction searches for its own form. SHE IS THE OTHER GAZE describes the encounter with female visual artists mostly of an older generation who were part of the Viennese art scene in the 1970s and were engaged in the women’s movement. In dialogue with the filmmaker and her camera they share early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers the protagonists are a great influence on the contemporary art scene and…