Film Categories: Sound Art + Music

  • Do I Belong?

    “Do I Belong?” is singer/songwriter Joel Gibb’s latest visualization for The Hidden Cameras’ pop song by the same name. In the spirit of DIY low budget filmmaking, “Do I Belong?” choreographs numerous scenes into one whimsical take. The shot culminates into psychedelic mayhem, where Gibb finds himself at the mercy of a mob of queer characters, many of whom are Toronto-based perennial favs (featuring artists Regina the Gentlelady, Luis Jacob, and Andrew James Paterson, among others).

  • Free Man

    When Michael’s partner of thirteen years, Charlie, dies unexpectedly, he is forced to work with his estranged mother-in-law, Celine, to plan his funeral. When they have a difference of opinion, Michael finds himself embroiled in a power struggle for the right to plan the memorial the way Charlie wanted. While Michael begins to dive deep into his psyche to keep the memory of Charlie alive, Celine turns to the legal system, stripping Michael of Charlie’s burial rights. Michael must use his music and the power of their union to confront his grief and mourn his dead lover.

  • Abstract Random: Mi Nah Wanna

    “me nah wanna hear dem chat bout violence, if you can’t take care of the children, it’s time to raise a generation, YO, the whole world is listening…” ABSTRACT RANDOM: rap electro dub hop + bring-back-cool feminist political. An all-female Toronto-based group composed of Jamilah Malika (vocals), LoverSun aka F.Nocera (producer, vocals, visuals) and Ayo Leilani (vocals). AR’s new music video for the rhythmic “Mi Nah Wanna.”

  • Happy Hour

    Set in a bar in 1960, two women share a look that launches a fantasy encounter. An homage to the women who had the courage to explore their sexuality in the mid 20th century, and a lament for those who could not. Set to the song, “Oh Regret” by singer/songwriter Mary Lorson.

  • Graphic

    Handpainted, optically printed film. Guitar pedal loops.

  • Man That Got Away, The

    A musical documentary that tells the true life story of Trevor’s great-uncle Jimmy in six original songs.

  • CHRISTEENE “Workin’ On Grandma”

    In “Workin’ on Grandma,” the 5th installment of the CHRISTEENE Video Collection, burnt memories and “deviled pussy holes” string themselves along the faded lines of CHRISTEENE’s family tree, all tucked in tight under a blanket of Korean karaoke dreams.

  • CHRISTEENE “African Mayonnaise”

    In “African Mayonnaise,” the 6th installment of the CHRISTEENE Video Collection, Celebrity gets Fucked.

  • 1857 (Fool’s Gold)

    Four types of visual forms appear in this film: photographed scenes, written texts, mathematical symbols and numerals. The course of the film is charted by the transformations which these images undergo. The film has a narrative form, but… one that is developed purely in terms of the manipulation of the colour characteristics of the images. The texts included in the film are drawn from Ezra Pound’s “Cantos.” They serve, in the first place, to involve the spectator in the process of reading. Furthermore, Pound’s text is ideal for exploring fairly completely the range of relations that can exist between image…

  • My Best Dress

    The title “My Best Dress” is interpreted in two divergent yet related directions: the attire one would wear out to a club, or alternatively, to a funeral. In this context, the music video represents both a celebration of youth culture, particularly with finding acceptance, expression and love within queer youth ball culture, and conversely, the inherent dangers associated with the reckless, uninformed and unprepared dark-side of underground culture. Music by MURR, featuring Rosina.