Film Categories: Sound Art + Music

  • Faust 3 : Candida Albacore

    Music by Doll Parts. Sound by Rick Corrigan. Just as the word “Idyll” of Faust’s Part 2 is rooted in the Greek “idein” / “to see,” so is “Candida” in “candidatus,” as used in “the white robed army of martyrs” of the “Te Deum,” as well as “Albicare” / “to be white” or “Albicore” out of the Portuguese (of Arabic origin) designating a kind of tunny (or white tuna): thus, Faust’s 3 is white / white as well as (from sugar’s “white”) candy, and fish: it is the modern Walpurgisnacht to Faust, but the daydream of “his” Emily: it exists…

  • Daisy Wheel (Part 02 of Augury)

    A bridge, to hold firm, demands a human sacrifice: the architect’s wife. Guided by an original soundtrack of Appalachian dirges and drones, this is the first of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out the techno-enthrallment,…

  • Ash Beetle Backstep (Part 03 of Augury)

    New bugs, lost trees. And after the Green Resurrection, will there be a confession? Guided by an original soundtrack of Appalachian dirges and drones, this is the third of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out…

  • Skyport (Part 04 of Augury)

    Immanuel Kant’s wager: the moral law within and the heavens above. Fear, flight and infinity, post 9/11. Guided by an original soundtrack of Appalachian dirges and drones, this is the fourth of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are…

  • Solomon’s Seal (Part 05 of Augury)

    Immanuel Kant’s wager: the moral law within and the heavens above. Fear, flight and infinity, post 9/11. Guided by an original soundtrack of Appalachian dirges and drones, this is the fourth of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are…

  • Hollow Casket (Part 07 of Augury)

    The gravity of thought. The inner teachings of fire. Guided by an original soundtrack of Appalachian dirges and drones, this is the seventh of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out the techno-enthrallment, unconceal the ancient…

  • Delta Sleep (08 of Augury)

    Reason descends into night. A seed awakes. Guided by an original soundtrack of Appalachian dirges and drones, this is the last of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are suggested: wait out the techno-enthrallment, unconceal the ancient myths, map…

  • Faust 4

    Music by Rick Corrigan. This is the imaged thought process of young Faust escaping the unbearable pictures of his broken romantic idyll, mentally fleeing the particulars of his dramatized “love,” Faust’s mind ranging the geography of his upbringing and its structures of cultural hubris – the whole nervous system “going to ground” and finally “becoming one” with the hypnagogically visible cells of his receptive sight and inner cognition … all that I could give him of Heaven in this current visualization of these ancient themes. (Stan Brakhage)

  • (I Know Your) Face

    Exploration of memory and diversity across gender, ethnic, sexuality and socio-economic boundaries as the hero Rose reflects on the many faces she has encountered, seducing, influencing, informing and challenging her perspective, now faded and blended over time, distance, and recreational drug usage.

  • Gabey and Mike: A Jewish Summer Camp Love Story

    Gabey and Mike: A Jewish Summer Camp Love Story takes its name from a song by Mermaid Café – a folk band comprised of Andi D., Joe A. Rider and Merrill Nisker (now known as ‘Peaches’) that gained popularity at Canadian Jewish summer camps in the early 90s. The video juxtaposes the tale of the band with playful re-creations of the story of Gabey and Mike, in a queer re-staging of the classic summer camp movie. Gabey and Mike uses the tropes of this genre alongside references from iconic queer films in order to grasp the significance of this band…