Film Categories: Sound Art + Music

  • Solo

    A single gal venturing into a bar finds a groove all on her own.

  • Boy

    The visual poetics of Vancouver are brought to light as the filmmaker reflects on the cities she has lived in, motherhood and the birth of her first son. Image description: A blurry and rain-soaked streetscape as viewed through a car windshield.

  • Surrender

    Stop! In the name of love where did our love go? My world is empty without you – you are everything and everything is you. You keep me hanging on upside down. Remember me? It’s my turn. I’m still waiting. I’m gonna make you love me. I’m coming out. I hear a symphony. Doobedood’ndoobe, doobedood’ndoobe, doobedood’ndoo. A film about the pressures of modern love.

  • Walk For Walk

    Lockhart’s unparalleled understanding of the fantastic and grotesque combined with her completely original aesthetic sensibilities create and inhabit an animated landscape where a seemingly endless parade of kooky little creatures walk themselves straight into trouble, but always find a way out. Enter the surreal, ever-changing world of “Walk for Walk”, a colourful, tripped-out animated landscape filled with catchy songs, eyeball kicks, goofball characters, and a great variety of babies: Warm Baby! Mister Baby! Rich Baby! And more! Created using over 1000 hand-painted paper cutouts, puppets and backgrounds. Selected screenings: Fabulous Festival of Fringe Film, Durham, ON, 2006; Rendezvous with Madness…

  • Happy Birthday Hannah

    An irreverent look at diapers and dolls, ‘Happy Birthday Hannah’ is a delightfully funny animated short about Suzy, a rag doll who celebrates her owner’s birthday by painting her room.

  • Der Fus Tort

    A 21st-century take on the tower of Babel story, this zany animated tale combines modern Yiddish storytelling with the hottest of new media. From angel’s foot cake to angels’ cheese cake, this delicious serving of new Yiddish film comes complete with a high fat, double, double ending. “Whimsical drawings and Yiddish humor animate this charming tale. ‘Der Fus Tort’ is a treat for all ages.” – Susan Alper, Director Montreal Jewish Film Festival Yiddish /w English subtitles

  • Bindi

    “Bindi” is a non-dialogue, narrative short film, which explores a mother’s choice to take her own life, while leaving her young daughter to deal with the aftermath alone.

  • Trains of Winnipeg – 14 Film Poems (Feature Length)

    “Idiosyncratic, independent and supremely inventive… One of the finest non-narrative movies ever made in this country.” – Jason Anderson, Eye Weekly GertJan Zuilhof, International Film Festival Rotterdam, Jan. 2005: “A visually opulent, almost hypnotic film, for which the word poetic really is justified for a change. This hybrid film is made up of fourteen film poems, each of which has the character of an individual short film, but in tone and approach they are all clearly related. Without a doubt, the film fits into the tradition of the experimental film, but it also has an epic quality rare within this…

  • Love in the White City

    “Made with a camera the size of a deck of cards carried in my pants pocket for one year, the ‘White City’ beckons, repulses and quakes with portent. The original poem was commissioned by CBC Radio in 2002 on the theme, ‘Love in Winnipeg’ – it began at 3 am in mid-February at 30 below, on a drive home through an empty, wind-swept, snowbound city. An audience member in my home town asked me why this film in particular was so dark, so sad. I said I didn’t find it to be so, but I wish I’d said something to…

  • Trains of Winnipeg (the short)

    “An epic audiovisual poem. Trains as kinetic sculpture and kitsch, found sound art, a film-maker’s fetish or a Romantic’s wet dream: O take me to far away places, the rhythm in our plastic hearts, as we are also machines. Tortured cello, the scraping wheel, old cameras, film and rail as parallel tracks through the remnants of the industrial age. ‘Trains of Winnipeg’ uses multiple film gauges and digital formats in a collage of colliding and looping vantage points on this brief, ever-moving, moment in history.” Music by Emily Goodden.