Film Categories: spirituality

  • Ayesha

    An imaginary biography of my mother who, in her youth, dreamed of being a Bollywood dancer. In a lush fantasy through the heart of India, I reclaim her destiny and desires lost in another age.

  • Kaleidoscope

    Kaleidoscope explores depression in an otherwise vibrant life. It is an original film poem edited to 16mm hand-processed B&W film that has been manipulated through tinting, toning and other cameraless techniques to reflect the fluctuations of living with a mood disorder. Footage collected during the Film for Artists and Film Farm residencies in 2016.

  • Crossing Bridges

    A gay Asian man reflects on his experience coming to Canada from Indonesia and learning to embrace his sexuality identity, and culture. In this reflective documentary, Rama provides a window into his journey as he revisits places communities and LGBTQ organizations that have helped him to build bridges to overcome the challenges that he faced as an ethnic gay man and immigrant to Canada.

  • XANH

    XANH is a short-film that explores clothing as a form of liberation. Xanh’s (they/them) mother is a seamstress who polices Xanh’s gender presentation through the creation of feminine clothes. As their mom continuously criticizes their wardrobe, Xanh experiences nightmares that push them to search for peace within their spirituality.

  • Potamkin

    In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world’s most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness. At the Odessa steps, trampling gives breath to the child. The bullet miraculously reforms the face. The Cossacks march backwards, retreating unseen into their…

  • Ocean I

    Ocean I is part of a series of films loosely connected by a similar process of cinematography that sees the operation of the camera as a kind of intuitive performance; specifically the way lenses, filters, and camera are maneuvred in a single long take to create an impression of a space, while also frequently abstracting it.

  • Sophie’s Letter

    During the composition of the letter to her abusive father, Sophie identifies with her inner wounded child (Little Sophie) and gradually finds what she needs to grow beyond the limits and boundaries that were burned into her psyche so many years earlier.

  • The House

    For one curler, it’s not just a regular night at the local curling rink. Can she face her fears and find the strength to throw her final rock?

  • The Phoenix

    The Phoenix takes place in the not so distant future. Mankind has developed the ability to transfer the mind and soul of a human being into an android host body. Mars Reveille is a dying man whose life is now moment to moment. He decides to undergo this miraculous procedure for the sake of his grandson Ben. Who without his grandpa would be alone in this world and left to fend for himself. Mars’ transformation is a success but the connection to his grandson is frayed and there are quiet gnawing doubts if Mars is real at all. Mars and…

  • At Midnight Plays a Dance Tune

    During his mother’s illness and after her death, Roy went through an intense period in his life, in which he felt attracted to the fringes of society. He raced in his car, roamed the streets at night and indulged in sex and drugs. He always had music playing in his appartment, no matter what time it was. During this period of extremities, the memory of his former neighbour Antoine suddenly came back. As a child Roy had been fascinated by the man and looking back now it seemed like Roy’s current life mirrored that of his former neighbour. Even though…