Film Categories: Sustainability

  • Reinventing the Unconventional: The Hearn Generating Station

    Nestled next to downtown Toronto looms the abandoned Hearn Generating Station. Thirty years after it was decommissioned, art director Jorn Weisbrodt envisioned an entire arts festival, Luminato, taking place in the Hearn. We hear about the challenges of reinventing such an unconventional space, from politics to the will of the Toronto people.

  • Lift Little Tokyo

    Maps and memories of Little Tokyo’s historical district of Los Angeles are uplifted via scotch tape transfers.

  • Drag Race

    A public three-event race in high heels and improvised monologue about all things political from pro-choice philosophies, the glass ceiling, the history of high heels, vandalism and gentrification, buying locally and seasonally, going vegan, sexual health and gender diversity. Participation was highly encouraged and pre-race makeovers were often held at my apartment. This is a document of the 10th annual drag race.

  • M3RM41D

    based on past research to find gender radicalism in the wild, this rock was !discovered! with a moderately blown-out tri-colour weave and wearing a mad decent lipstick. I danced with it for a few minutes before i realized it wouldn’t be able to survive outside of its natural habitat, thus i released it back into the wild.

  • Doing and undoing: poems from within #1 radiotherapy

    It deals with interventions that I had made with my mother during her cancer treatment. The film is part of large project dealing with my mother’s cancer healing process. Hacer y Deshacer: Poems from Within (2019) is an interactive video installation. Most of the video sequences show Gelis’s mother undressing, one strand of yarn at a time, sometimes in Panama’s Casco Viejo (historic district), sometimes in the turbulent waters of the Pacific. Using her mother’s body, she tells the story of a cancer survivor, the story of countless others. Gelis invites us into the healing process: the viewer can change…

  • The Island

    A garden between Oakland and Berkley where its inhabitants, marginalized by gentrification, plant fruit trees and flowers to pay homage to their loved ones who died in battles against poverty. This is a space of love and freedom cared by Brian for the last 25 years. The island resists, as a living legacy of the Black Panthers who were the first to organize the neighbourhood.

  • Vanilla

    Vanilla takes you through the everyday ordinary life of a disabled senior citizen living in Ottawa, Canada. It is a portrait documenting aging and the loneliness of those suffering in silence. The black and white film was shot on 16mm Bolex film camera using a KODAK 7222 Double-X Negative film. Processed by Niagara Film Lab (Toronto). Created as part of Independent Filmmakers Co-operative of Ottawa (IFCO) – Dogme Production Challenge.

  • The Shouting Flower

    A work about collaboration and process, “The Shouting Flower” approaches political resistance from multiple subject positions–plant, child, filmmaker–in an attempt to model what Anna Lowenhaupt Tsing calls “work across difference.” Using images processed in plant material that was gathered at key locations throughout the city, as well as direct animation and audio recorded on a child’s toy, the film documents its own creation within a landscape of hostility and neglect. A collaboration against cooperation, it becomes as it refuses. Refusing, dispersing, it shouts, “No!”

  • buffalo lifts

    Awash in sumptuous colour, a herd of buffalo desperately try to hold on as they struggle to cross the film frame.

  • Toad, Leaf, Grass, Rock

    A 16mm hybrid visual poem, at the crossroad between intertextuality and documentary. This film “plays” with images in an enigmatic way. Weaving, in the words of Eugenio Montale, a disappearing and deserted suburban landscape into the fabric of images, sounds, and textures of two far away lovers yearning for each other.