Film Categories: Travel

  • Brisbane River

    A timelapse of the Brisbane River. Made in residency at Container, Brisbane and nanolab, Daylesford.

  • Building Heaven, Remembering Earth: Confessions of a Fallen Architect

    “Filmmaker Oliver Hockenhull’s shockingly beautiful digital video essay on the philosophy of architecture.” Mari Sasano Building Heaven, Remembering Earth offers a cross-cultural, pan-historical reflection on how the spiritual and intellectual aspirations of self and society are expressed in, and confined by, the language of architecture. “Beginning with a glimpse of Brueghel’s Tower of Babel, this wild and opinionated essay peruses some of the world’s most resonant architectural sites, among them the Pantheon of Rome, Palladio’s Rotunda, Renzo Piano’s New Metropolis, Barcelona for Gaudi, then Mies van der Rohe, the Hagia Sophia in Istanbul, and Lingaraj Temple in Bhubaneswar, India. Director…

  • Crushed Between Ocean and Sky

    An unexpected event on a tall ship headed for Antarctica incites passengers to reflect on life, death, adventure and irony against the vast ocean backdrop. Crushed Between Ocean and Sky speaks to the transcendence of exploring new places, the power of nature and life’s brutal tendency to catch us off guard.

  • Self-Portrait in Hell

    Self-Portrait in Hell is a hybrid film that combines analog and digital film manipulation techniques. Multiple layers of 8mm films and disparate fragments are amalgamated to create a self-portrait of the director. A singular self-portrait, since ironically the subject of the film is not the director but the image found in abandoned film archives, the image of another, unknown woman. The first layer is from a 1970s 8mm home movie titled Woman Dancing with Dog and was found in an antique shop. The second layer is an 8mm film belonging to an unknown archive, which the artist buried for a…

  • Skyscraper Film

    Can I use the film strip structure as an architectural element? Is it possible to use the celluloid from the film as a cement? Can these skyscrapers be turned into something else? Can solid lines blend into sensual, natural curves? Can I melt skyscrapers? Skyscraper Film was created to try to give a visual answer to these questions, arising from the artist’s relation to urban maps of various locations and their respective skylines, populated by imposing skyscrapers and reinforced concrete panoramas: Quebec, Kingston (Canada), Maryland, Pittsburgh, Baltimore (USA) etc. Cities are presented to us as an abstract handmade camera-less collage,…

  • Currents / Perpendicolare Avanti

    Currents / Perpendicolare Avanti is a camera-less, hand-made, 16mm film collage, based on the artist’s autobiographical experience as an immigrant. In three movements, the film explores the dynamics of inhabiting the in-between space of moving between multiple countries and their temporalities, through visual and sound abstraction, interlacing and recycling pre-existing film materials and, using fragments from anonymous orphan films. Utilizing these so-called scraps, Currents is a film of extensive remediation, treated by hand through the use of the emulsion lifting technique, thereby re-imagining, re-constructing, and de-constructing the liminality of immigrant life. The re-writing of the self in Currents is produced…

  • WE DON’T TALK LIKE WE USED TO

    “Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.”-TIFF “We Don’t Talk Like We Used To” continues Joshua Gen Solondz’s loose series of addled diary films with a film that is part travelogue, part affective almanac, and part cinematic noise show. With stops in Hong Kong, New Hampshire, Japan, and Brooklyn, the film alloys obscured faces, oozing on-screen text, throbbing abstractions, solarized superimpositions, and the occasional dad joke into…

  • Solomon’s Seal (Part 05 of Augury)

    Immanuel Kant’s wager: the moral law within and the heavens above. Fear, flight and infinity, post 9/11. Guided by an original soundtrack of Appalachian dirges and drones, this is the fourth of eight connected works which contemplate the history of, and possible responses to, technophilia. Through augury a city is founded: the bridge, the temple, the tower, the burial ground. Using handheld and macro video, family super 8 and archival footage, Augury explores the fissures in constructed space for signs of personhood, care, and the possibility of a shared pre-linguistic ground. At each site, various strategies of ethical engagement are…

  • FOREIGN QUARTERS

    My mother’s lost Chinese heritage was a point of departure in this film which investigates the process by which an image is constructed in places foreign from that of my own. The condition of distance genetic to the ethnographic image traces the elusive qualities of her past and persona.

  • V

    Iceland, 2016. Mythical landscapes and moment capture. Nature as mirror of, or backdrop for the self.