Film Categories: Typography

  • Our Protection

    “I’m watching you watching me, watching you watching me, watching you watching me. You hit bodies, while we hit streets, say it’s for our protection, when was just your decision” “Our Protection” is a music video for the band LAL for their 4th CD release. The song and the video are inspired by the G20 protests of 2010 in Toronto. Animation, mixed with real time photo and clips of protests, protesters, police violence and LAL, gives you a glimpse into the reality of loss of civil liberties we are facing more and more. Soon we won’t be allowed to dance…

  • Setting West

    “Setting West” was made using original printing materials from the late 19th and early 20th centuries, such as wood type, borders and stereotypes of “Cowboys and Indians”, trains and bison. These words and images were printed directly onto 35mm clear film stock at eminent letterpress studios in North America: the Hamilton Wood Type & Printing Museum in Two Rivers, the Center for Book and Paper Arts in Chicago, the Hatch Show Print in Nashville and the Musée de l’imprimerie du Québec & Lovell Litho in Montréal. Judith Poirier printed 1643 feet of film to produce her abstract western and her…

  • HookLineSinker

    Lead, rope, single-channel video projection, sound (5:00 loop), 2005-2014 An installation that challenges the viewer to negotiate between two and three-dimensional space. A rope from above penetrates a simulated “hole” in the projected image of water. An additional simulation of refraction leads the rope below the “surface” of the water to an oversized lead sinker toward the viewer’s space.

  • Contents

    An old wallet, abandoned intact, kept for unknown reasons. Uncorroborated memories of a close (but distant) relation. How are these documents speaking to each other? What is the nature of their harmony? Official versus living memory: each useless, unstable, disintegrating. Is memory the bureaucracy of the self? How does it order our lives?

  • Don’t Forget The Water

    A phone conversation sets the diasporic table as a disembodied figure prepares Qahwah Arabi / Arabic Coffee. Here, the contradictions inherent in Google Translate’s instant camera feature are made visible through glitched mistranslations. Using these flaws as a prompt, the communication between a mother and a daughter considers ambiguity as a source of embodied knowledge. 

  • Characters

    Hú Zhǎng Zū writes ancient Chinese poems with water on the ground in Fuxing Park, Shanghai. After a few minutes, the characters dry out and disappear. She comes to the park almost everyday and practices her handwriting with her friends and colleagues. Together they have lively discussions about the strokes and shapes – both amongst each other and with the many spectators. Hú Zhǎng Zū is the only woman within the bustling crowd of men, and due to her calligraphy skills she is respected and highly admired. I come back to see her often, in order to learn from her…

  • Phonetic Philmmaking

    For as long as I can remember, it has been difficult and uncomfortable to express myself when speaking aloud or when writing. I would often silence myself to avoid the feeling that I was making a mistake, a word out of place or mispronounced, to avoid the embarrassment of repeating and having to clarify my thoughts. I have always lived with the disruption of language intertwined with my experience of living with a learning disability. “Phonetic Philmmaking,” a 20 minute experimental Super 8 film, satirizes normative language conventions and transforms them into a new visual vernacular linking metaphorical and literal…