Film Categories: Work about Women

  • Difference, La

    A wild animation about a wild imagination. In a bar, a place of mystic scenes, Kim is dreaming of his wish of being a woman. His dreams turn into reality through the help of a bartender who is not as he seems to be. This is a story about gender confusion and confusion of transexuality and transvestitsm.

  • Bridges-Go-Round

    Manhattan becomes a maypole as its bridges execute a carefree but magical dance. There are two versions of the film on the reel, one with an electronic soundtrack by Louis and Bebe Barron, and one with music by Ted Macero and his group. The director feels that both should be seen, the electronic-sound version first because that sound vitally alters the responses of the viewer.

  • Licked

    A go-go-get-it girl looks for love in the fine features of many a plate, only to end up falling face first into her one true dish.

  • Grasp

    A gang of girlfriends plays together. Through their games one wonders when we stop feeling what we play at and start becoming a reflection of what others have told us to feel, particularly in a landscape where people seem to conjure up the deepest of emotions for the simplest of objects.

  • Snap

    A collection of pictures and old autograph-book rhymes capture a particular glance at a life.

  • Rock

    Rocker dude takes us on a tour of the prestigious sites of his past gigs, including the local post office, hair cutting salon, and grocery store.

  • Angela

    After she falls unconscious while exploring alone in a forest, concern for young Angela’s safety causes family conflict.

  • Missing

    A young boy uses creative tactics to gain the attention of his busy family.

  • Between the Lines

    The story of four children who use their imagination to overcome the people that are trying to crush their creative spirits. “Great spirits have always encountered violent opposition from mediocre minds.”

  • my I’s

    “my I’s” is a visual journey through time, space, and memories of the filmmaker from her childhood to the present. Not parting with her Super 8 camera for four years, she accumulated a variety of images from different parts of the world and from different times of the year. She then combined these images with home movie footage of herself and her mother. Pruska-Oldenhof’s childhood memories of Sunday afternoon walks with her mother – to a park, a field or a castle – and seeing the world through her mother’s eyes has shaped her mind and even her filmic eye.…