Film Categories: Work about Women

  • buffalo lifts

    Awash in sumptuous colour, a herd of buffalo desperately try to hold on as they struggle to cross the film frame.

  • Clamp

    A sexually explicit experimental video. The goal of this work was to create an anti-pornographic work that celebrated marginal sexualities. The subject ignores the viewers’ participation in her pleasure, creating a hermetically sealed auto-erotic experience.

  • Sans Titre

    Optically printed, hand-processed and painted, this film records the space of light. It attempts to remove the Form of abstraction from Matter and thus place the viewer in a virtual temporo-space. The last minute of the film is comprised of clear leader. After this, the projector remains running with no film passing through its gate for 30-60 seconds. This flickering white light completes the film’s projection. Note: Running time ranges from 6 to 8 minutes; the exact running time will depend on how long the projector is left running at the end.

  • Shape of the Gaze, The

    A hand-processed and optically printed film. I manipulate the film process to disrupt viewing expectations on a textual and aesthetic level. This re-positions the subject and discourse of gender ambiguity available in the gaze. Specifically, I attempt to interrupt and re-shape the triadic gaze operating between the subject, viewer and filmic apparatus. By shifting the discourse of the gaze, the film implicates viewers in the gazes between the lesbian filmmaker and her self-identified butch subjects. “Post riot-grrl ethos informed a number of the best works… [including] Maïa Cybelle Carpenter’s hand-processed vision of lesbians and machines, ‘The Shape of the Gaze.’”…

  • Site Visit

    Entirely hand-processed and hand-painted, “Site Visit” visually evokes a series of fantasy maps and the imaginary “sites” visited by following the paths laid out. Metaphorically the process of the film depicts the impossibility of concretely mapping disease in the human body, especially the emotional consequences. The degradation of the emulsion through bleaching is parallel to the slow degradation that occurs in the body stricken with cancer.

  • All the Great Operas (in 10 Minutes)

    Using Monty-Pythonesque animation, this film serves up the stripped-down essence of the most famous operas in a quick and painless manner, and reveals once and for all that opera has more in common with soap opera and pulp fiction than anyone likes to admit.

  • Late

    Radio evangelist Sister Agnes Phillips dispenses wisdom and hope to lost souls against a late-night urban landscape of seedy hotels and dial-a-saviour billboards. Awards: Detroit Film Center Award, Ann Arbor Film Festival, 2004

  • Nocturnal Admissions

    A home’s movie. A 153-year-old home collects and reveals the traces it inhabitants have left behind. A contemplation of the home-movie genre, “Nocturnal Admissions” explores the idea of home as a vessel of remembrance, silently collecting and holding the experiences of those who have lived there. An assimilation of old and new , it meshes past and present homes, film and digital technology, and a nostalgia which invokes the future.

  • Something Else

    Fun things happen when you play with yourself. Change is one of them.

  • Urban Creatures

    In a city park, two silver creatures dance the passion and sorrow of the urban landscape.