Film Categories: Work about Women

  • Remains

    “The mother figure revisited – a recurring theme in my work. A celluloid deterioration that addresses the ephemeral quality of the captured moment (the present) while revealing the insistent power of human presence in even the most deteriorated of states. The image of the mother is like a ghost that we won’t let go. A lament for the inevitable loss of legibility. “ – Louise Bourque

  • Drowning in Flames

    Torossian’s latest film marks a leap forward, and that’s saying a lot for a filmmaker who’s been releasing brilliant splashes of handmade abstraction into the world for the past two years. “Drowning in Flames” uses an astounding palette of image processing techniques to address the artistic process in both subject and form.

  • Difficult Love

    “Difficult Love” is an intimate, thought-provoking portrait of internationally celebrated South African lesbian photographer, Zanele Muholi, and her highly personal take on the challenges facing black lesbians in South Africa today. The film features interviews with Muholi as well as with her friends, colleagues and peers, and provides a compelling overview of the artist, her life and her work. This poignant documentary takes us behind the façade of art making and shares with us the highly political environment Muholi must navigate in order to bring her lush photographs to light. Winner Best Short Film – Audience Award, Africa in the…

  • Duration of Life and Other Tales from the Grimms, The

    Seven of the Grimms’ most mysterious and obscure fairytales are told over a dazzling display of Ontario landscape. Under the guidance of Katherine Grier’s careful telling, Canadian filmmaker Amy Bodman uses the film to create a dialogue between the inner and outer worlds, attempting to show how one’s imaginings are essential in giving meaning in our day-to-day living.

  • Dyketactics

    A popular lesbian “commercial,” 110 images of sensual touching montages in A,B,C,D rolls of “kinaesthetic” editing. ” “The images are varied and very quickly presented in the early part of the film, introducing the characters, if you will. The second half of the film slows down measurably and all of a sudden I found myself holding my breath as I watched the images of lovemaking sensually and artistically captured.” – Elizabeth Lay, Plexus

  • Ransom Notes

    The filmmaker’s response to her experience of the hijacking of her city during the Toronto G20 Summit, “Ransom Notes” re-appropriates language and meaning through the act of collage. The film combines new and old media (film, newsprint, print-outs of twitter feeds) to explore social mobilization through mass media. The soundtrack of the film was created by placing letters, words and sentences directly on the optical soundtrack. “We have your …” “The ransom note, in our collective imagination, is an interesting entry point to the politics of ownership, freedom and exchange value, made by transforming mass media (newspapers) content into a…

  • Interview, The

    Two women meet at a crossroads… Ross Lipman’s one fiction film to date comes from a genre even more rare in the US than experimental work-adult drama. Printed in muted tones that conjure silent film handpainting, and merging theater-based naturalism with an elliptical psychological encounter, “The Interview” at once utilizes and destroys mainstream narrative expectations.

  • Rhythm 93

    A Pre-Raphaelite portrait of the visionary state as arising from nervous breakdown. Filmed in bitter winter in England’s bleak post-Thatcher years, using only natural light, the camera’s focus and exposure shift continually in a subversive riff on classical cinematic match-cutting. Perhaps something occurs, but what? Winner, Director’s Choice, Black Maria Film Festival (1994).

  • Sex On Wheels (short)

    “Sex On Wheels” tells the secret history of San Francisco’s sex workers. Interweaving Super 8 footage of a living history bike tour/theater piece (think Colonial Williamsburg, with whores) with archival film and photographs, the film tells the story of a city’s forgotten residents: an ex-slave who became a wealthy procuress, a cross-dressing 1940s lesbian gigolo, a madam who became mayor, a gang of transgender teen hustlers who rioted for their rights, a radical feminist hooker/assassin, and a posse of anarchist strippers who took over a peep-show. 38-minute version also available, see “Sex on Wheels (demi-feature)”

  • Sex On Wheels (demi-feature)

    “Sex On Wheels” tells the secret history of San Francisco’s sex workers. Interweaving Super 8 footage of a living history bike tour/theater piece (think Colonial Williamsburg, with whores) with archival film and photographs, the film tells the story of a city’s forgotten residents: an ex-slave who became a wealthy procuress, a cross-dressing 1940s lesbian gigolo, a madam who became mayor, a gang of transgender teen hustlers who rioted for their rights, a radical feminist hooker/assassin, and a posse of anarchist strippers who took over a peep-show. 12-minute version also available, see “Sex on Wheels (short)”