Film Categories: Work about Women

  • Bedtime Story

    A timeless tale with a twist. Mother puts her child to bed, a witch and an artist make a deal and the moral of the story is … up to you. An exploration of stop-motion animation and composition combining human, wooden and feline actors.

  • Speakbody

    Using techniques from documentary, the avant-garde, and narrative films, a great deal of information about abortion is compressed into a short time. The film combines the interwoven multi-layered voices of women recounting their experiences with minimal images from one woman’s memory. Short but powerful.

  • Standing on Fishes

    Love, life, and loss ….

  • Starcycle

    A playful, improvisational line animation, “Starcycle” follows the birth, death, and rebirth of a star which can transform itself into everything from a television set to fireworks. The soundtrack, composed of children’s reactions to the visuals, creates a participatory atmosphere for the audience.

  • Still Point

    “‘Still Point’ serves as Barbara Hammer’s definitive reassessment of 70’s cultural feminism. She literally places side-by-side the romantic image of her companion walking and stretching under the sun in a landscape and the gritty realism of a methodical garbage picker on the street of New York city, pushing a shopping cart and moving on to the next waste container. Our world view must encompass both realities, the film indicates. Privilege can’t obscure vision.” – Chick Kleinhans, The Film/Video Showcase Presents the Films of Barbara Hammer

  • Storytelling

    This award-winning film features performances by master storytellers telling tales which together outline the trajectory of a lifespan, from creation, birth, heroic adulthood, to death and regeneration. The stories are inter-cut to effect an almost Proppian analysis of narrative and to suggest an alternative position for women as producers and heroes of culture.

  • Striptease

    This is a documentary which treats the subject in terms of work, performance and sexuality. In striptease as in dominant cinema, women are presented as sexual spectacle, silent objects to be looked at. This film presents the dancers as speaking subjects, constructing a job profile from the point of view of the women who do the work.

  • Bent Time

    “A visual trip across the U.S. using an extreme wide angle lens that bends time to the edges while Hammer shoots one frame per foot of visual space traversed. The film’s length, 22 minutes, matches the time it takes sunlight to traverse a petroglyph of nine circles inscribed in rock at Ohaco Canyon, New Mexico. The film opens and closes with shots of this process and the minutes between take us from the Brooklyn Bridge to the Golden Gate. “Hammer concentrates on the condensation of space and time at high energy locations, from the rock passageways of Ohaco Canyon to…

  • Surviving Memory

    “Surviving Memory” is a film about the role of loss in the formation of identity. It is a narrative intercut with documentary fragments of political actions, which connect the various characters to event through collective memory. Through autobiographical spoken texts, the narrator relays fragments of a relationship between two Jewish women. The fragmented texts speak of the relation between these women as well as recounting various past and contemporary historical events of fascist and neo-Nazi activity (and resistance), Lesbian/Gay rights, Pro-Choice and AIDS demonstrations. While these instances tell a personal/political story about loss, they are also meant to elucidate the…

  • Suspicious

    “An energetic video exploring the theme of self-identification and the significance of sexual and racial labels.” – Inside Out Lesbian & Gay Film & Video Festival, Toronto, 1995