Film Categories: Work about Women

  • Echolocation

    The rain in Oakland, my grandmother’s home in Baghdad, my aunts’ voices in What’s App, my daughter learning to count to 10, my brother playing the darbuka, the cicadas in Texas, the walls of my studio, the search for new forms.

  • Hide and Seek

    “Hide and Seek” is a daring exploration into wild, uncharted territory – lesbian adolescence in the 1960s. The film features Lou, a 12-year-old girl who daydreams in a tree house, tries not to watch a sex education film, and is horrified to discover that her best friend is taking an interest in earrings and boys. Interwoven with Lou’s story are the most hilarious, sometimes painful recollections of adult lesbians who try to figure out how they got from there to here. Completing the picture are clips from an astonishing array of old scientific and instructional films which blend seamlessly with…

  • Letter from Blackhawk Island

    From her home in Blackhawk Island WI, the poet Lorine Niedecker traded lively and impactful letters with numerous peers, most notably Louis Zukofsky and, later, Cid Corman. After a brief sojourn in New York, she lived alone in a one-room cabin for much of her adult life, walking several miles to nearby Fort Atkinson to work as a copy editor at a dairy industry newsletter until failing eyesight reduced her to menial labour. Niedecker connected to the outside world by post, and among the small shelf of books she kept for herself were several collections of letters, including those of…

  • Landmarks of Memory

    A tattoo ritual and hookah session memorializes a pre-war flower shop. After seeing its storefront in archival footage of the Lebanese Civil War, a first-generation daughter seeks information and connection to place. Scenes of 1976 Beirut are paired with today’s developed landscape, while roses are etched and coconut coals burn in a snowy diasporic setting.

  • Hitori

    The film is based on an early childhood memory of my natural mother. It is about the separation of a child from its roots – a child’s search for understanding of these roots. The roots beginning with the mother and the father. I am not sure if what I am remembering is a dream or a true memory. However, if it is memory, then it is my most greatest and most cherished memory. If it is a dream then – how great it is to dream. (EM)

  • Menders

    What story do the marks of time tell? “Menders” is a three-minute animation following a female art conservator restoring Velázquez’s “Rokeby Venus.” Using creative methods that reveal imperfections and embrace fragmentation, she navigates the tension between a polished ideal and an unvarnished history. As she reflects on both the artwork’s past and her own identity, she asks: Can the beauty of art be found in its scars? This film invites viewers to see restoration as a dynamic process of making, unmaking, and remaking.

  • A Canadian Ghost Story: The Quilt for Joyce Wieland

    A Canadian Ghost Story: The Quilt for Joyce Wieland is a tribute to the films and other artwork of the late Joyce Wieland. It comprises a series of vignettes, each referencing the title of one of her films and picking up themes and motifs from her work. Two characters, A and B, are engaged in a somewhat mysterious and arduous endeavour surrounding Wieland’s films. Their memories of Wieland are stitched into a tale that is being told in a time of uncertainty and looming danger. The piece explores artistic legacy, particularly in a feminist and Canadian context, with some of…

  • A Flame the Colour of Air

    Medieval Catholic mystic Hildegard von Bingen reconciles the virgin/whore dichotomy in a psychedelic, erotic vision. Hildegard was known for her waking visions of the divine, her musical compositions, and her extensive medical encyclopedias. The animated imagery in this film is inspired by her surviving transcriptions, which suggest a departure from the mainstream views of her culture. In this speculative fictional tale, Hildegard has a vision in which erotic dancers appear to her as embodiments of the divine. The narration is strategically selected and collaged from Hildegard’s texts.

  • Hedge-Rider

    The Hedge-Rider sits at the boundary between the garden and the wild. She uses flying ointments to transcend her body and take flight during the night. The film attempts to capture themes around European witchcraft and altered states of consciousness.

  • Husbandry

    Mary Imrie (1918 – 1988) and Jean Wallbridge (1912 – 1979) operated their architecture firm—the first run by women in Canada—at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River in west Edmonton. When Mary Imrie passed away, she bequeathed the records of their remarkable architectural practice and adventurous life, along with their home, to the province of Alberta. With a title borrowed from a telegram in the collection, GLAD YOU CLOSER HOME / NEW WHITE WHISKER MARY is Cait McKinney and Hazel Meyer’s immersive exhibition that playfully imagines and speculates in…