Film Categories: Work by Women

  • Forgotten Mother

    “Forgotten Mother” is a personal and sensitive exploration of the relationship between Alice, a black domestic worker, and Adrienne, the white child she raised. This half -hour documentary follows Adrienne’s return to her birthplace, now Zimbabwe, where she is reunited with Alice. In what was formerly white-ruled Rhodesia, it was common for black women to leave their families in rural areas to seek jobs as domestic workers in the city. These women would live on the premises of their white employers and take care of the children. Although they worked for the same family for long periods of time they…

  • Hatch

    After Marcy suffers a horrible miscarriage, she is plagued with daily reminders that keep her bound to her solitude. Though her mother makes valiant efforts to help her cope, her guilt outweighs her willingness to move on. One night, she discovers a strange alien egg buried in her backyard. She brings it inside, apprehensive at first, but begins to form a motherly bond with it. When the aliens return for the egg, it is trapped inside her home and can’t get out, leaving it stranded on earth. Marcy must now decide if she’s really ready to move on from her…

  • Untitled #1 (sun vision)

    There were two initial impulses for the film: Turner’s almost-not-there paintings of light (whence the bracketed title ”sun vision”) and the swirling, spirit-filled paintings of Emily Carr. Sun-light-film- Untitled #1 is a film of liminal thresholds, borders, amorphous states – sky, clouds, fog, lake, snow. A film in motion – camera gestures and emulsion activity. People and seasons pass in the daily repetitive cycles- repetitions and reprises and beginnings again – sameness amidst the fleeting. Blurring, merging, dissolving boundaries,- the world as it is forming and disappearing…Not nothing, everything. “Everlasting and powerful is the theatre of life, without substance, but…

  • THREE BORDERS

    “Three Borders” is a found-footage film reminiscent of Chris Marker’s “La Jetée” (1962). It consists of family photos of the artist and other anonymous found (family) photos. In the style of Magic Realism, the video narrates anecdotes from the families of Alisa Berger’s Jewish father and her North Korean mother. The ten stories narrate the meeting between Koreans and Jews from Galicia. They address the overcoming or the construction of inner, outer, national, ethnic, spiritual or emotional borders which span three generations.

  • Heimat

    The short film “Heimat” is one story from ten stories in “Three Borders.” It is the story of the filmmaker’s father about migration and homeland. “Three Borders” is a 55-minute found-footage film reminiscent of Chris Marker’s “La Jetée” (1962). It consists of family photos of the artist and of other anonymous found (family) photos. In the style of Magic Realism, the video narrates anecdotes from the families of Alisa Berger’s Jewish father and her North Korean mother. They address the overcoming or the construction of inner and outer borders which span three generations.

  • May 35

    A haunting commemoration of the Tiananmen Square uprisings made from fragments of censored archival imagery transferred onto film using razor blades and scotch tape. “May 35” speaks to the difficulty of remembering in the absence of memory, especially when June 4 histories have been censored and obscured. It is a tribute to the thousands of lives devastated by this upheaval. Sound Design: Kadet Kuhne

  • ABYSS

    Four ancient Gods, half human, half animal, are trapped in an Abyss for their human sins. One of them removes her mask and starts a dislocated dance. She tries to escape the room, hopeless. None of the other Gods, still obsessed with their inner demons, seem interested in her performance. As the dancer tries a desperate last move, she is drowned in a thick white mist, defeated.

  • Le Dormeur Du Val

    Art essay video, free interpretation of Arthur Rimbaud’s poem “Le Dormeur Du Val”, aimed at pointing the absurdity of war: through history and continents, no matter their race or religion, soldiers, instruments of the authorities, represent one and only person: another victim.

  • I Love My Work

    Some of life’s little obstacles that get in the way of a girl and what she really wants: to do her work.