Film Categories: Work by Women

  • Mary

    Mary is a kind of everygirl, living with her parents’ constant battling, but able only to deal with the kid stuff – the boy who picks on her at school, the embarrassment her best friend causes. I liked the kitschy ‘70s setting. It kind of reminded me, because I lived through that era, of the stuff I had to deal with when I was little. (VR)

  • Mary Mary

    Presented as an autobiography, “Mary Mary” interweaves the political with the mythical; visual and textual “quotes” from other films with fragments of children’s stories; and dreams and memories with history. “M” is an ambiguous figure: an English-Canadian woman filmmaker struggling with the representational structures that form and are formed by her as she tries to make a film. At first her script eludes her. Locked in her room, she becomes tangled in a web of memories, images and stories, quotations and histories. Yet even within these confines (narrative and psychic, as well as architectural) the possibility of new readings is…

  • Matter of Expectations, A

    “A Matter of Expectations” depicts the life circumstances of women living in the Runnymede Hospital, a chronic care facility in Toronto. Longer life spans, low incomes, and a lack of housing alternatives force many women to be dependent on the health care system. This film surveys the problems confronting older women through interviews in which women discuss their feelings about aging, institutional life, the care they receive, and dying. Footage of life in the hospital with accompanying voice-overs presents a balanced view of the problematic position of older women in the 1980s.

  • Mayhem

    “Mayhem” gives homage to Film Noir, soap opera thrillers and Mexican comic books, which generate the action. Perversely and equally inspired by de Sade’s “Justine” and Vertov’s sentences about the satiric detective advertisement, “Mayhem” looks at sexuality and violence in the movies. “Mayhem” links the screen, the bedroom, and the streets to generate a mosaic of the way modern culture sends mixed signals about sexuality to men and women. “‘Mayhem’ is more than a detective story; it’s a hypermodern melding of forms, an erotic send-up of slapstick with a heady dose of cultural nay-saying.” – Elizabeth Pincus, Gay Community News…

  • Me, Mom and Mona

    The women of the Shum family are a force to be reckoned with. Sitting around joking about how they pull the wool over Dad’s eyes, or remembering all the absurdities of growing up Chinese in Vancouver, it’s clear they’ve hit on a strategy that can handle both Chinese tradition and Canadian custom – humour. The laughter resonates throughout “Me, Mom and Mona” to touch off much deeper responses.

  • Menses

    A wry comedy on the disagreeable aspects of menstruation. Women act out their own dramas on a California hillside, in a supermarket, in a red-filtered ritual of mutual bonding. “Menses” combines both the imagery and the politics of menstruation in a fine blend of comedy and drama.

  • Mercy

    “Voyeurism, eroticism, violence and pornography are challengingly jumbled together: the result is a mixture of fluttery pictures which cloud what is real and what is not, making the questions that these films provoke all the more disturbing.” – Jane Headon, City Limits “‘Mercy’ shows no mercy as it dissects the games mass media play with our perceptions. It blends found footage, images and sounds into a flow that’s as revealing as it is overwhelming.” – New York Festival Catalogue

  • midst

    “In ‘midst’, Barbara Sternberg has made a lyrical film about attachment, integration, belonging. Many of the familiar elements of Sternberg’s work are here: speed, pulsing rhythms, explosions of colour, light and shape, images of nature and the built environment. But the conflicted situations and turmoil of earlier major films like ‘Through and Through’ and ‘Beating’ are gone. Instead, ‘midst’ focuses dramatically on an understanding of the world through art, specifically painting, especially abstraction, here translated into filmic terms. Abstraction becomes the vehicle for taking on complexity, putting it all together in heightened moments of intense vision characteristic of ‘seeing into’…

  • Migraine

    The severe pain inflicted during a migraine attack alters the vision of the sufferer often to the point of hallucination. The optical symptoms of this disorder open it up for expressive filmic interpretation. A jumpy and fractured roller-coaster montage is transformed into the comically tortured hallucinations of a migraine sufferer as she loses control of her vision and mental faculties.

  • Across

    “Across” is about the sometimes difficult journey from one psychic space to another. From a place in the abusive past, to a place called survival.” – Liz Czach, Toronto International Film Festival “Across” has a gentler power, furiously and passionately engaging with the unobtrusive landscape to uncover what most of us have yet to discover.” – Take One, Fall 1997