Film Format: 16mm
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Gently Down the Stream
The text of “Gently Down the Stream” is a succession of fourteen dreams taken from eight years of my journals. The text is scratched onto the film so that you don’t hear any voice but that of a recorded narrator. The images of women, water, animals, and saints were chosen for their indirect but potent correspondence to the text. I chose to work with dre ams that express my deepest anxieties and longings, or that have forced a sudden awareness about a nagging problem. “I go to the circus to see women fly through the air with the greatest of…
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Into the Wild
A glimpse through the cracks, somebody is walking in the meadow, trees and flowers trembling in the wind. A world that only film can see, a material flow emerging from the coupling of camera, celluloid, silver salts, chemicals, light particles and the hand of the filmmaker. The film was entirely processed by hand and chemically treated: overexposed images were brought back to life with bleach, other images were solarized and reversed.
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The Sweater
Historian Carolyn Steedman, in writing about her own working-class childhood, describes how, for children of working-class families, it is often the mother and not the father who embodies power. The child experiences a father who is relatively powerless in the larger social world outside the home, so that even if he is physically powerful, as my father was, he can simultaneously be perceived as a weak man. “The Sweater” blends 16mm hand processed film with found footage and video to explore childhood memories triggered by finding the last thing my deceased father gave me. Using short vignettes, I tell several…
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Behemoth (six legs good, two legs bad)
Behemoth (six legs good, two legs bad) is an animated film featuring six bee genera. Made using animated stills, Super-8 and 16mm footage, optical printing, and cameraless techniques.
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Imagine none of this is real
A strange, melancholy travelogue through the post-human world. A record of the land and the resonance of its history. The images and the medium exist in a tense balance, where each amplifies and distorts the other. This film is not only about the landscapes being captured, but the media being used to capture it.
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Dreams of Gold
“Out at Zeballos, on the wet west coast of Vancouver Island, it rains and rains and practically never stops, but the people there don’t look for rainbows in the sky” Based on text from a gold miner’s journal, Dreams of Gold reveals his dreams and hallucinations while exploring the image of the mind as rooms in a house.
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Petal to the Metal
This hand-processed 16mm film reflects on botanical animism. It is a song written for night-crawlers, compost, and shadows, inspired by human flower-lust. Water, fire, earth and air are interwoven with the garden’s creature crew. The work draws a parallel between the photographic alchemy of cinematic experiments and the photosynthetic processes of plants. Honourable mention, Top Canadian Short Jury Award, GIRAF 17 (2021).
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Wherefrom the Shadows That Are Forms Fall
The film is set amongst the eroding, forested cliffs of a creek. The images are a direct response to Linsey Wellman’s soundtrack of layered saxophones and electronics, which filmmaker Matthieu Hallé listened to for the first time while exposing each frame.
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Ruthless
Ruthless (2019) Go back in time and witness a ruthless tale of unrequited love. The black and white film was shot on 16mm Bolex film camera using a KODAK 7222 Double-X Negative film, and processed by Niagara Film Lab in Toronto. Filmed in a few hours and is inspired by the Dogme 95 cinema movement. Thank you to The Marías, The Independent Filmmakers Co-operative of Ottawa (IFCO), Kodak, Pudgyboy’s, Marie-Hélène Villeneuve, Justin Pariat, and Warwick Walton. Screenings: September 2019 – The Independent Filmmakers Cooperative of Ottawa at Headquarters (Ottawa, Canada) November 2019 – A Night of Misfit Films at Onyx…
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PSYCHE
A meditating man contends with the forces of his mind.
