Film Format: 16mm

  • through the bushes and the trees, you’ll find me

    “through the bushes and the trees, you’ll find me” intertwines the personal and political histories of Hanlan’s Point Beach, the site of Canada’s first pride gathering in the early 1970s. A hole punch serves as a symbolic peephole, reflecting the cruising areas on the beach that invite both spectatorship and participation. By situating the tender moments of queer affection amidst the vast body of water surrounding the Toronto islands, the film celebrates and interrogates the histories and spaces of queer love and resistance. This work was made by hole punching frame by frame using a cricut machine, then manually taping…

  • Herzsofort.Setzung II

    “Michael Brynntrup’s series of 56 media generations is no return to nostalgic idealized natural state or a search for transcendental inwardness. By playing with momentum within the aesthetic possibilities, Brynntrup researches into a spiritualism inherent in the media. It’s however less the emanation of technological media when regarding calculability and precision, but more the potential of coincidence and the chaotic character that connect themselves in the series of pictures with Brynntrup as a person. In a manner seeming to be naive, Brynntrup asks the question on authorship within reproducible and digital technologies.” – Kunstlerhaus Stuttgart program notes

  • ELEMENTAL VISION or a film for the rest of my life

    “Elemental Vision or a film for the rest of my life” is ‘about’ light and time – moments captured in their passing, light events shot in various rhythmic patterns. It is about light and not particularly about the objects lit. The congruence of film’s basic properties with how we experience reality (in time/motion, through light) has been a guiding factor in my approach to filmmaking. Of course, there are people and other natural subjects filmed – incorporated -coming into view – a surprise. Intertitles mark sections, create pauses and breaks. They come from various sources suggestive of film terminology and…

  • Hide and Seek

    “Hide and Seek” is a daring exploration into wild, uncharted territory – lesbian adolescence in the 1960s. The film features Lou, a 12-year-old girl who daydreams in a tree house, tries not to watch a sex education film, and is horrified to discover that her best friend is taking an interest in earrings and boys. Interwoven with Lou’s story are the most hilarious, sometimes painful recollections of adult lesbians who try to figure out how they got from there to here. Completing the picture are clips from an astonishing array of old scientific and instructional films which blend seamlessly with…

  • Blue Moon

    In the book “Our Moon” Rebecca Boyle outlines all the ways we interact with the moon: symbolically, physically, psychically – moon, the original time keeper; the pull of the tides; moon goddess/fertility; and now exploration of mineral rights on the moon. And the moon, according to poet Mary Ruelphe gave us our first Other, a There for our Here. For me, as a corollary to Elemental Vision Part 1 with it’s focus on sunlight and film, this Part 2, Blue Moon, casts an eye on the cool, blue light of the moon – and of video.

  • Letter from Blackhawk Island

    From her home in Blackhawk Island WI, the poet Lorine Niedecker traded lively and impactful letters with numerous peers, most notably Louis Zukofsky and, later, Cid Corman. After a brief sojourn in New York, she lived alone in a one-room cabin for much of her adult life, walking several miles to nearby Fort Atkinson to work as a copy editor at a dairy industry newsletter until failing eyesight reduced her to menial labour. Niedecker connected to the outside world by post, and among the small shelf of books she kept for herself were several collections of letters, including those of…

  • La noirceur souterraine des racines

    Shot in Quebec (Canada), La noirceur souterraine des racines (The subterranean blackness of roots) is a 16 mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants, and the nature that surrounds us.

  • consider

    bombs like fireworks, the artifice of televised war in a soft, black sky, perforations of light in the film’s velvet for any serious reflection the sidereal consider in memory of the fallen in Gaza, the stars

  • Highway, The

    “The Highway” is about the paths in life which appear before us once we realize that we do have a choice in where our destiny lies. Glen Higgins, a young man who is trapped on his family’s decaying farm, must decide to leave after the shock caused by the death of his father.

  • Arabic Numeral Series – Arabic 0 + 10

    This series of films, each extraordinarily unique from every other (except “0 + 10” going together) is inspired and governed by strata of the mind’s moving-visual-thinking different from that of the “Roman Numeral Series” or perhaps one should say that the Arabic Numerals come to fruition thru some tree-of nerves separate from that which gave birth to the Romans (as it is physiologically deceptive to think of thought as existing in “layers”). The Arabics range in length from approximately 5 min. to 32 min. and may be projected at 24 fps as well as 18, tho’ the latter speed seems…