Film Format: 35mm

  • Perfect

    The delicate world of an upper-middle-class woman is suddenly turned upside down when her husband recounts a nightmare in which he brutally murders her.

  • Wonderful Day, A

    As Australia stands still to watch Cathy Freeman race for Olympic gold, a young gay man has a race of his own. Awards: Best Australian Short Film, Melbourne Queer Film Festival; Audience Award for Best Short Film, Sydney Mardi Gras Film Festival

  • Post mark lick

    “Post mark lick” is “a love-song to the pre-digital age of postal correspondence and photogram animation” (Images Festival, 2003). It explores the materiality of the postage stamp and the fleeting narratives of letters and postcards.

  • Ultima Notte, L’ (The Last Night)

    Tony and Chloé, a young couple in their twenties, have secluded themselves in a hotel room. They will spend one last night together, a night to remember. Alliocha, a young foreign boy met on the street, initiates this voyage. The three will share the utmost intimate experience, an experience that will change them all. The next morning, Tony and Chloé’s innocent youth is left behind. With shattered hearts they enter adulthood and everything that lies ahead.

  • Letters

    “Letters” explores the transformation of painting through photography and the movement of light as music, text and body language. Formed through a combination of abstract hand-painted film and live photography, originated on super 8mm and 16mm, ‘Letters’ uses extensive optical printing and single-frame editing techniques to draw the material and structural properties of film into focus and create a sense of rhythm, gravity, weight and mass.

  • ten thousand dreams

    I have no memories from that time… before kindergarten, before solid food, before any idea of what lay ahead. The images were shot a few hours after my baby boy had traversed the great divide between the warm rumbling universe of his mother’s womb and the morning light of our bed. (JP)

  • Vanauley Project, The

    Cinema circa 1895 as it was with Louis Lumière… Four single-shot vignettes photographed with a vintage hand-cranked 35mm movie camera. These are the first in a series of 35mm observational films created without the assistance of a motion picture laboratory. Hand-processed and printed by the filmmaker, the project acts as an anthropological document of a neighbourhood in transition while celebrating the textural beauty and analog simplicity of early motion picture technology.

  • Farewell

    An elegy for my Jamaican grandfather, who lived for 98 years. Culled from hand-processed Super 8 memories and Kodachrome images of the heavens, family photographs, and an audio recording of his sweet voice discussing the secret of his long, healthy life, the film bids goodbye to an amazing soul.

  • Urban Creatures

    In a city park, two silver creatures dance the passion and sorrow of the urban landscape.

  • Mad Shadows

    An unconventional psychological mystery, “Mad Shadows” unfolds into a humanistic tale about faith. When Mike, an orderly at St. Belvedere, starts suffering from hallucinations, he comes to believe that a newly admitted catatonic patient is a devine entity who must be saved.