Film Format: DCP

  • On A Clear Day You Can See The Revolution From Here

    An expansive journey through the Kazakh steppe, On A Clear Day You Can See the Revolution From Here excavates layers of myth, history and geology to reveal the shifting fault lines between a government, its people and their land. The film brings into focus Kazakhstan’s search for a post-Soviet identity and a state-sponsored programme of cultural production that on the one hand connects back to the ancient folklore and belief systems of the Silk Road, while on the other, seeks to embrace the values of Western capitalism. Taking an experimental documentary form, On A Clear Day provides a meditative faux…

  • TAKE

    TAKE (te reo Maori: issue, promise, challenge) weaves mana wahine (female knowledge), dance and archival materials to retell the story of the removal of the ancestral Maori meetinghouse, Hinemihi o te Ao Tawhito, from Aotearoa, New Zealand to England in 1892. It is a call to return Hinemihi, embodied by Australian born Maori dancer and performance artist, Victoria Hunt. Set in the liminal spaces between history and emotion TAKE unfolds a story of origins, of traumatic events and colonial violence.

  • LUCA (m/f/x)

    Society distinguishes between two sexes: male and female. In Germany there is a new law for a new legal gender “divers”. „Divers“ refers to a gender spectrum between male, female and beyond. “I feel my own sex very changeable, it never feels like I am a man or a woman. But only a body to which belongs a spirit and a mind that creates“. This is how Luca describes themself and unites alleged characteristics of both classical sexes in his appearance. Although Luca has experienced antipathy and even physical violence, because of appearance, Luca would never stop being themself.

  • When We Are Nothing Left

    A minimalist film and study about time, infinity and the life cycle, created in the spirit of William Blake.

  • WELL ROUNDED

    Soft? Dark? Queer? WELL ROUNDED is here! Featuring Mi’qmaw force of nature, comedian and broadcaster, Candy Palmater. Edgy, hilarious, unapologetically raunchy, and sometimes tear-jerking, WELL ROUNDED brings you your new super queer XXXL racialized BFFs in comedy, fashion, health and research to help combat those pesky systemic fatphobias that threaten to make you hate yourself — when actually you’re PLENTY amazing just as you are. Blending gorgeous interviews with dreamy animation, director Shana Myara assembles personal stories from a diverse, captivating cast whose horrors, triumphs and commitment to dreaming large offer BIG inspiration — especially for those of us who…

  • Granular Film – Beirut

    Reminiscence of a trip in Beirut. The sea. the palm trees, the buildings melt when my eyelids began to close. My memories now have a separate life of their own.

  • forwards, backward

    Compiled from unused images of a half-shot and perpetually delayed documentary, this film is an illusory visual and sonic reflection on a stagnant film career. Simultaneously moving forwards and backwards and not at all. Driving 100mph and standing still. One step forwards, two steps back.

  • Pressure Play

    A young man struggles to overcome adversity while preparing for his big game.

  • the medium is the message

    An age of numerology communication : numbers digits : representation algorithms : codecs compression : bitrot : memory what message? THE FUTURE IS THE PRESENT

  • Expo Film (this film is my memory)

    Using anonymous home movie footage of Expo ’67 in Montreal, the artist sets out to recreate a memory that perhaps never existed. Celluloid manipulation and sound decay techniques coalesce to transform a mythic landscape into a sublime expanse of disintegrated memory. Image description: A Grainy and nostalgic image from an amusement park. A red gondola of a sky ride is in the foreground and crowds and a ferris wheel are in the background.