Film Format: DCP

  • Pulp Revelation

    “Pulp Revelation” is a surreal tale born from the bizarre realm of the Bible’s Revelation prophecies. A cryptic vision of the second coming of our maker…but did we make the maker? Is redemption, betrayal and rebirth a never ending cycle for mankind? A grand yet intimate journey of memory, faith and the zenith of artificial intelligence.

  • Casted Hand

    “Casted Hand” explores the aesthetics of medicine and its relationship to the body. It can be shown as s single channel video or accompanied with the installation ‘Four Winds.’

  • horses in the year of the dog

    Twin portraits, an immediate love between new friends considering motherhood under the roof of a fierce matriarch and Cheru the dog shortly after birthing five pups. A swim, a birth, a love and a loss developed in Hibiscus and Lavender and saturated in deep blues.

  • My Fuzzy Valentine

    Put the Playboy centrefold in the hands of a Dyke and she will make her into a monster. A pulsating world of bug-eyed lesbian sasquatches and vaginal caves created from reclaimed textiles. Visual artist Allyson Mitchell’s shape-shifting materials and colors explode off the screen on hand-processed and scratched 16mm film.

  • 3 Siblings

    Three siblings with different gender identities and sexual orientations bring us into their world during São Paulo’s LGBT Pride Month. We learn about their relationships with each other, and how they work to overcome rampant homophobia and transphobia that exists in Brazil. Best Documentary Award, Alucine Festival, Toronto, Canada, 2019

  • everyday star

    Everyday states of being and decay are observed through the infinite scope of the cosmos and the restorative light which emanates from it, driving cinematic and photographic impulses.

  • Bruce Eves In Polari

    BRUCE EVES IN POLARI is an intimate, upclose and personal portrait of Bruce Eves, the 2018 winner of Canada’s Governor General’s Award in Visual and Media Arts – that country’s highest honour. Eves’ work has remarkable intrinsic value that also engages key aspects of culture and history. His story began in Toronto’s clique-riven avant-garde art scene in the mid-1970s. As practicing artist and Programming Director for CEAC (Centre for Experimental Art and Communication), among other activities Eves crafted socially-engaged performance art pieces that were shown in Canada, throughout Western and Eastern Europe, as well as the United States. This included…

  • A Scene

    A man drives up to his ex-lover’s house demanding that she express her feelings toward him in person. But even still, he won’t leave without making a point.

  • Copsi

    A young couple (Mojdeh and Reza) are hosting Reza’s old friend Edmon in their house. Mojdeh has always wanted to become a journalist for Boojga news network. Not willing to adapt to the reality distorting culture of media, she never gets accepted. Reza is studious but an unsuccessful film maker. From the beginning Edmon grows fond of Mojdeh who is a reclusive painter. After multiple attempts Edmon finally gets close to Mojdeh but realizing her rebellious personality backs away. Edmon leaves the country and the circumstances get worse for Reza and Mojdeh who both suffer from Melancholia. The story is…