Film Format: Digital File

  • 165708

    Shot entirely in 16mm black-and-white film using single-frame photography, “165708” employs in-camera techniques and chemical manipulation of processed film to produce an eidetic study of temporal elasticity. Techniques include flicker, time-lapse, light painting, stop motion, tinting, and toning. Combined with cycles of alternating exposed frames, these methods imbue the work with a rhythmic magnetism, apparent both in the tempo and the aesthetic of the images. Exploring the capacity of the medium to express various notions of time, the film begins with a woman looking out from the shoreline. This acts as a point of departure to disparate yet interconnected sequences…

  • The Burning Desire in a Dollar Bill

    The Burning Desire in a Dollar Bill shows how the special interests of media conglomerates and their parent companies mould our latent desires at a young age, later leaving us confused as to whether we are lusting after the sexually charged imagery or the products being advertised. The film argues that the act of purchasing is the strongest aphrodisiac in a capitalist society, leaving open the possibility that a solution to toppling capitalism is to shift our sexual desires from consumerism to personal freedom from the state. The film was created during a residency at Signal Culture using a modified…

  • FOREIGN QUARTERS

    My mother’s lost Chinese heritage was a point of departure in this film which investigates the process by which an image is constructed in places foreign from that of my own. The condition of distance genetic to the ethnographic image traces the elusive qualities of her past and persona.

  • Sky Room

    Someone is missing. Plants grow, but at what cost? Technology threatens and seduces as humans attempt to solve a mystery through telepathy and mirrors. Stainless steel and broken glass strewn about an intergalactic discotheque.  Commissioned by the Chicago Film Archives and made in collaboration with sound artist Brian Kirkbride, with footage and sound from the archive chopped, manipulated and arpeggiated into a fertile mix of anthem and narrative.

  • You’ve Got Tail

    A mail carrier is in for a salty surprise! The pups at this house are a little friendlier than he was expecting…

  • Lunch Time

    In this film we drive through downtown Cairo. While exploring the urban life and daily routine of the streets near Tahrir square, we sink into a labyrinth where our path keeps on being cut. During the 2011 revolution it was often said that “the people took back the streets”, but since then the police and military have returned to power and show their supremacy by controlling the public spaces, leaving many to adapt to a system where they have no voice and must work around the obstacles that are left behind.

  • The Hares (Las Liebres)

    Winter night. Mariano plays with his older sisters in a room on a country house. His father looks for him to take him hunting. Mariano would rather stay at home but his father takes him anyway.

  • Exilic Trilogy

    “Exilic Trilogy” consists of three arthouse docudrama films from Arsalan Baraheni, the exiled Iranian-Canadian filmmaker based in Toronto. The films present a well known musician, a painter and a poet. The films are biographical, poetic and musical, colliding with social, political and philosophical manifestations. The first film is called “Light and Sound”, starring Soleyman Vaseghi, a well known Iranian musician who was forced to leave Iran after the 1979 revolution when music got banned by the regime. The film is about the light within the mind of the artist and the sound which he produces through his music in exile.…

  • Pizza Roles

    This meta-porn captures our experience, as genderqueer mixed race people of color, living in Seattle during the age of diversity incorporated. Opportunities to explore meaningful differences in experience are cast aside in favor of glossy, diverse, marketing photographs as the ultimate proof of corporate status.

  • Brunch Queen

    “Brunch Queen” is a hybrid film that follows a hilarious gay couple (who can’t stand each other’s company but are still very much in love) as they prepare for the opening night of a musical based on their infamous insult diner. This 11-min short doc is shot like an episode of a mockumentary television sitcom, like The Office or Modern Family. It’s a humorous and poignant exploration of love and aging in the LGBTQ community.