Genres: docufiction

  • Catalyst

    Being natural born pattern seekers, we are forever looking for this or that clue to help explain what otherwise might appear unfathomable. Fundamentally Catalyst represents a type of diary without dates, of memories reconstructed to formulate my story. A story that takes place in time and space, shaped by the earth and sky Merging super 8 mm footage that I filmed many years ago with some of my more recent DSLR/HDV tape footage, Catalyst investigates how each medium shaped my story as well as the gaps in time when each sequence was filmed. Filmed on location by Kent Tate: Toronto,…

  • Looking for Jiro

    “Looking for Jiro” explores the hidden dimensions of same sex intimacy for Japanese Americans incarcerated by the US government during World War II. This experimental performance video is inspired by Jiro Onuma, a gay Issei (immigrant) who was imprisoned at Topaz concentration camp in central Utah. He worked in the prison mess hall and was also an avid fan of homoerotic male physique magazines. How did this dandy gay bachelor from San Francisco survive the isolation, humiliation, and homophobia of imprisonment? This queer musical mash-up video features drag king performance, US propaganda footage, muscle building, and homoerotic bread making. This…

  • Warning Shot

    One death. Three versions of the crime. James H. Wakasa, a 63-year-old Japanese American bachelor, was shot to death by military police at Topaz concentration camp during World War II. Was it justifiable homicide, an accidental fatality, or second-degree murder? The press said he was trying to escape, the shooter claimed it was a warning shot, the case file suggests he was killed while walking a dog. This experimental film essay uses the “Rashomon effect” to juxtapose the conflicting accounts detailing the circumstances and cause of Wakasa’s untimely death. Part of the Queer Camp Trilogy.

  • Semiotics of Sab

    This experimental film essay explores the poetics of identity through an oblique portrait of gay Japanese American actor Sab Shimono. For more than five decades, Shimono has performed on stage and screen in over 150 roles as warlords, bus boys, and businessmen. Shimono asks, “How is it that we know who we are?” Recalling early structuralist works by Hollis Frampton and Martha Rosler, Semiotics of Sab displays the grammatology of queer Asian American masculinity through conflicting lexicons of race, representation, and selfhood.

  • Primary Colours

    A cine-poem by Sudanese-Canadian artist Roua Aljied, aka Philosi-fire, about the realities of domestic violence and how each step a woman takes is a new colour to paint on the canvass of her life. Created in partnership with Women in International Security Canada and the 16 Days of Activism Campaign in Ottawa, Ontario, Canada and performed live for the 2016 International Women’s Day ceremonies in Ottawa, Ontario, Canada.

  • FU377

    Basic dignity of queer people in India is under attack, yet again. The scorching IPC Section 377 is re-unleashed to police to criminalise “gay sex” in India. While the law and the Supreme Court dated themselves back a few hundred years, an adorable Indian mother has her knowledge of “gay sex” in mint condition, wheeling out a tidbit or two for her heartbroken queer daughter in an effort to cheer her up. The pair are shocked into action by the Supreme Court’s latest rejection.

  • The Exile (Pituvahalaya)

    Shot improvisationally in 2010, shortly after the end of the Sri Lankan civil war, this film takes a lyrical approach to examining recent history and the process of reconstruction in the post-war era. The visions of an exile are carried through an immoral silence, to an end both dubious and bittersweet. World premiere at 64th Internationale Kurzfilmtage Oberhausen, 2018

  • Whatever Happened to Jackie Shane?

    Toronto, 1963. Jackie Shane – a black, queer, soul-singing, flamboyant Nashville-born, Toronto-based musician – had a hit song on the charts. The song was a sensation, and with the lyrics “Tell her that I’m happy, tell her that’s I’m gay; tell her I wouldn’t have it any other way”, it was also an underground gay anthem. But before being able to fully enjoy the fruits of this success, Jackie suddenly disappeared. Uncovering this forgotten piece of Toronto queer music history, artists Hortie and Reynolds recreate Jackie’s story using original shadow puppets, overhead animation and stop motion techniques. Follow Jackie through…

  • Midnight at the Continental

    Toronto, 1955. In the heart of Chinatown, a new bar opens: The Continental. It’s dark, grimy, and attracts an unusual clientele. Local tabloids scream in 20-point font: “Sapphos overflow Chinatown!” The bar becomes the meeting place for two of Toronto’s marginalized communities: Chinese-Canadian men and lesbians living “the life” full time. Recounting this forgotten piece of Toronto queer history, artists Hortie and Reynolds tell the story of Toronto’s first long-standing lesbian bar using original shadow puppets, overhead projector animation and archival images. Pull a stool up to the bar and watch lesbians and Chinese men stand side by side, battling…

  • Meet Me Under the Clock

    “Meet Me Under the Clock” explores a little-known time in Toronto’s LGBTQ history when an underground Halloween tradition became an annual confrontation between an invisible gay community and a fascinated, often hateful public. “Meet Me Under the Clock” tells the story of Halloween at the St Charles Tavern, a Yonge Street gay bar, throughout the 1970s. Each year, thousands of straight spectators would gather to throw eggs and jeer at the men attending the bar’s annual drag party. This unknown Toronto history highlights the role that LGBTQ spaces play in providing sanctuary and community, the complicated relationship between the LGBTQ…