Genres: documentary

  • Teta, Opi & Me

    Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an intergenerational dialogue that explores themes of family, love, and the intermingling of cultures.

  • and the story remains

    After years of silence, a woman returns to a memory she was once forbidden to recall. As she develops forgotten images, the past surfaces in fragments of light, grain, and the slow emergence of a face. The film lingers between past and present, exploring whether enforced silence can wound more deeply than the trauma itself.

  • The Gloria of Your Imagination

    New York based film artist Jennifer Reeves, known for her 16mm experiments, revisits “Three Approaches to Psychotherapy” (1965), which portrays Gloria Szymanski in sessions with three male therapists. Through found footage and tactile interventions on film, Reeves reframes the material into an empowering portrait. By adding home movies, newsreels, and advertisements, she situates Gloria’s story in context, exposing the unequal power dynamics behind the original film. Gloria emerges not as a case study but as a complex, vivid woman whose openness about her fears, desires, and contradictions still resonates today.

  • The Sky After Rain (Shaya Goldoust)

    Based on Shaya Goldoust’s audio journals narrating her attempts at testing rigid gender boundaries, and the transphobic incidents which led to her leaving her family and motherland, Iran.

  • The Sky After Rain (Shyla Hope)

    Based on recorded audio interviews with Shyla Hope discussing her inner self journey to understanding and accepting her identity as a lesbian trans woman growing up in Iran.

  • The Last Pogo

    Grab some safety pins, practice your sneer and get ready to revisit Toronto’s thriving punk scene. THE LAST POGO documents the raucous 1978 punk concert held in Toronto’s legendary Horseshoe Tavern-a night of unhinged music and unbridled mayhem. On December 1, 1978, legendary Toronto concert promoters Gary Topp and Gary Cormier-better known as The Garys-presented The Last Pogo, a rollicking, riotous concert at the venerable Horseshoe Tavern. On the bill were seminal bands from Toronto’s punk rock scene: The Scenics, The Cardboard Brains, The Secrets, The Mods, The Ugly, The Viletones and Teenage Head. During the concert, the frenetic energy…

  • Night and fog in Kurdistan

    Night and Fog in Kurdistan is a documentary by a Kurdish female filmmaker that follows seven Yazidi teenage girls who survived the 2014 ISIS genocide. The film traces their five-year journey from refugee camps in Turkey to resettlement in Europe, showing the effects of genocide, displacement, and the challenges of migration. Using illustration, self-storytelling, and first-person perspectives, the film lets the girls share their own experiences of survival and adaptation.

  • Work(ing Together) in Process

    On a quest to obtain some misdelivered camera batteries, Sam Koopman finds himself in a Rotterdam-based sex shop. Here he meets Marty who works there, and this chance encounter turns into a cinematic project between the two. When Sam turns the camera towards this new stranger, the two end up embarking on a year-long journey to create a film together. Their shared process of self-discovery turns this playful desktop film into a profound meditation on the nature of non-fiction film.

  • Navels I

    Artist Robin Riad talks about her relationship with her belly button. This is the first in a series of short film profiles about navels.

  • To Make Ends Meat 心頭肉

    As a Chinese-style sausage factory in Vancouver’s Chinatown closes down, the legacy and community it has fostered for over a century is celebrated and remembered through the eyes of one of its workers. Embracing subjectivity, intergenerational relationships and cultural revitalization, To Make Ends Meat 心頭肉 is a call to commemorate the old, in a city fixated with newness.